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The Sweet Hereafter (1997)

R | | Drama | 21 November 1997 (USA)
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A bus crash in a small town brings a lawyer to the town to defend the families, but he discovers that everything is not what it seems.

Director:

Atom Egoyan

Writers:

Russell Banks (novel), Atom Egoyan (screenplay)
Nominated for 2 Oscars. Another 33 wins & 53 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ian Holm ... Mitchell Stevens
Caerthan Banks Caerthan Banks ... Zoe Stevens
Sarah Polley ... Nicole Burnell
Tom McCamus ... Sam Burnell
Gabrielle Rose ... Dolores Driscoll
Alberta Watson ... Risa
Maury Chaykin ... Wendell
Stephanie Morgenstern ... Allison
Kirsten Kieferle ... Stewardess
Arsinée Khanjian ... Wanda
Earl Pastko Earl Pastko ... Hartley
Simon Baker ... Bear
David Hemblen ... Abbott
Bruce Greenwood ... Billy
Sarah Rosen Fruitman Sarah Rosen Fruitman ... Jessica
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Storyline

A small community is torn apart by a tragic accident which kills most of the town's children. A lawyer visits the victims' parents in order to profit from the tragedy by stirring up their anger and launching a class action suit against anyone they can blame. The community is paralyzed by its anger and cannot let go. All but one young girl, left in a wheelchair after the accident, who finds the courage to lead the way toward healing. Written by Matthew Tichenor <mticheno@direct.ca>

Plot Summary | Add Synopsis

Taglines:

Sometimes courage comes from the most surprising places. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for sexuality and some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Canada

Language:

English

Release Date:

21 November 1997 (USA) See more »

Also Known As:

El dulce porvenir See more »

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Box Office

Budget:

CAD 5,000,000 (estimated)

Opening Weekend USA:

$31,149, 10 October 1997, Limited Release

Gross USA:

$3,252,652, 12 April 1998
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Donald Sutherland was originally cast as Mitchell Stephens, but had to back out, and was replaced by Sir Ian Holm at the last minute. See more »

Goofs

When Stephens visits the Ottos, and Mr. Otto offers him some tea, we hear a teakettle whistling but the one we see on the cooker is not the whistling type. See more »

Quotes

Mitchell Stephens: Well, enough rage and helplessness and your love turns to something else.
Alison: What... does it turn to?
Mitchell Stephens: It turns to steaming piss.
See more »

Connections

Referenced in American Dad!: Live and Let Fry (2009) See more »

Soundtracks

Courage
Words and Music by The Tragically Hip
Courtesy of Universal Music/Ball Music, Inc. and Little Smoke Music, Inc.
Performed by The Tragically Hip
See more »

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User Reviews

The master work of a great humanist director.
30 September 1999 | by EAT AlexSee all my reviews

When it comes to drama, The Sweet Hereafter represents the finest cinema of the decade. The film lifts the director Atom Egoyan to the highest place of Canadian directors -right next to David Cronenberg. With extraordinary intelligence, Egoyan -the maker of "Exotica"- creates labyrinths of relationships. Brilliantly using flashbacks the director reveals the emotions of the characters to the viewers -a powerful way to make the audience feel anxiety.

The Sweet Hereafter is based on a novel by Russell Banks. This doesn't mean that Egoyan hasn't created a film that looks like his own creation. Very beautifully, even with a sense of poetry, the camera moves in a canadian small-town, a scenery full of snow. The nicely unusual music of Mychael Danna creates the mood when a lawyer played by Ian Holm arrives to the town. A School bus lies under ice, and the lawyer is invited to sue someone for the loss of several children.

A very important slice of the scenario belongs to a school girl (Sarah Polley), who realizes that the grief of loss can't be eased by judging the cause of it. Also the other people of the town play a remarkable role in the script.

Egoyan speaks clearly, but with a sound of personality, about the need of love, the pain of loneliness and the crossing of emotional obstacles. Fortunately someone knows how to direct interesting movies with elements of drama in them. The Sweet Hereafter possesses a brilliant structure where the visual telling breaths in the spirit of symbolism. I'm a very demanding viewer, a true cynic who always tries to find the worst sides of the film, but in this case I can't say anything negative.


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