Ex-mob boss Christopher Walken is kidnapped by a group of four kids in a haphazard attempt at paying the ransom for another, separate kidnapping. Complexities arise as the group cannot seem to do anything right.Written by
Wells Oliver <email@example.com>
With the exception of the "Mickey Mantle" speech, Denis Leary improvised all of his dialogue. See more »
When Heckle and Jekyll get the phone call telling them that the ransom money is ready, Jekyll's apron disappears and reappears between shots. See more »
[as Brett picks up the phone to dial]
It will show up on my old man's bill.
Ira, you're unbelievable. What do you want, a fucking quarter?
He will know we were here!
Well, you know what, now he's gonna know we were here anyway!
It's an aniversary present!
Good, fag. Pick it up.
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The credits run like scratched up film is going through a projector (similar to the beginning of the film). The movie ends/post credits with this scratched film burning up and melting. See more »
I taped this movie on the USA Network at three o'clock in the morning, watched it some time afterward, and I was blown away by this film. Former gangster Carlo Bartolucci aka Charlie Barrett (Christopher Walken in one of his best roles ever) attends a bistro where he finds that a group of swaggering young men, consisting of Max (Sean Patrick Flanery), Avery (Henry Thomas), Brett (Jay Mohr), T.K. (Jeremy Sisto), and Ira (Johnny Galecki), have taken over his usual booth. Charmed by the guys, Charlie takes them for a ride, only for them to knock him out with some chloroform while going down the Queens tunnel in a hilarious sequence. Charlie regains consciousness inside of Ira's mansion taped to a chair with one of his fingers missing, having been cut off to compensate for Avery's kidnapped sister's missing limb. The guys keep Charlie prisoner in the mansion, but soon, Charlie starts to play head games with them, and it soon becomes obvious that there is a traitor in their midst.
This darkly humorous crime thriller can be described in the most simple terms as "The Breakfast Club" meets "The Godfather" or something like that, even though I myself never saw "The Godfather." Walken is increasingly laughter-provoking, suave, and creepy all at the same time as he delivers witticism after witticism despite his usual situation. Four of the lead males (Henry Thomas, Jay Mohr, Sean Patrick Flanery, and Jeremy Sisto) all portray swaggering rich boys, while Johnny Galecki (David from TV's "Roseanne") is screamingly funny as the nitpicking nerd of the bunch and Denis Leary is his usual laid-back self as slick and wisecracking gangster Lono (what a funny name!).
I said it once and I'll say it again -- "Suicide Kings" is a darkly comical film, but it is highly recommended (for those with kids) that you watch this either late at night or while the kids are away.
I give "Suicide Kings" a 10 out of 10 on a scale of 1-10 in my humble opinion.
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