Suicide Kings (1997)

A group of youngsters kidnap a respected Mafia figure.

Director:

Peter O'Fallon

Writers:

Josh McKinney (screenplay), Gina Goldman (screenplay)

Stars:

Christopher Walken, Denis Leary, Sean Patrick Flanery

Cast

Cast overview, first billed only:
Mark Watson	...	Doorman
Christopher Walken	...	Carlo Bartolucci / Charlie Barret
Denis Leary	...	Lono Veccio
Nina Siemaszko	...	Jennifer
Jay Della	...	Bartender (as Jay Fiondella)
Henry Thomas	...	Avery Chasten
Sean Patrick Flanery	...	Max Minot
Nathan Dana Aldrich	...	Marcus (as Nathan Dana)
Jay Mohr	...	Brett Cambell
Jeremy Sisto	...	T. K.
Frank Medrano	...	Heckle
Brad Garrett	...	Jeckyll
James Peter 'JP' O'Fallon Jr.	...	Kid #1
Nicholas Huttloff	...	Kid #2
Trent Bross	...	Maitre D'

Storyline

Ex-mob boss Christopher Walken is kidnapped by a group of four kids in a haphazard attempt at paying the ransom for another, separate kidnapping. Complexities arise as the group cannot seem to do anything right.

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Plot Keywords:

mobster | ransom | beating | mafia | rich kid | 

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Taglines:

Their plan was perfect... they weren't.

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Genres:

Comedy | Drama | Mystery | Thriller | Crime

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Motion Picture Rating (MPAA)

Rated R for strong violence and language, and for some nudity and drug use

Details

Country:

USA

Language:

English

Release Date:

17 April 1998 (USA)

Also Known As:

Asi in suicid

Filming Locations:

Fire Station 23 - 225 E. 5th Street, Los Angeles, California, USA

Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$558,081, 19 April 1998, Limited Release

Gross USA:

$1,692,872, 12 July 1998

Company Credits

Production Co:

Live Entertainment, Dinamo Entertainment, Eyes 'n Rice

Technical Specs

Runtime:

106 min

Sound Mix:

Dolby Digital SDDS

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The shot on TV with Heckel and Jeckel in the apartment is actually a snippet from Reservoir Dogs (1992). This is because the director could only use stock from other films owned by Artisan Entertainment.

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Goofs

The duct tape around Bartolucci changes its position almost from camera shot to camera shot.

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Quotes

Ira Reder: Hey-hey, big time, how ya doin?
Max Minot: Good.
Ira Reder: Listen, ahh, there's been a new wrinkle.
Max Minot: What?
Ira Reder: But first you gotta promise me, PROMISE ME, you're not going to tell anybody.
Max Minot: Ira, what are you talking about?
Ira Reder: Look, just promise me first.
Max Minot: Fuck off, Ira.
Ira Reder: Okay, good enough.

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Crazy Credits

The credits run like scratched up film is going through a projector (similar to the beginning of the film). The movie ends/post credits with this scratched film burning up and melting.

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Connections

Featured in Siskel & Ebert: The Object of My Affection/Paulie/Nightwatch/Suicide Kings/Wild Man Blues/Chinese Box (1998)

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Soundtracks

Shattered
Written by Frankie Blue, Cinjun Tate
Performed by Frankie Blue, Cinjun Tate
Cinjun Tate appears courtesy of Geffen Records

User Reviews

Excellent acting, mediocre film

The premise of Suicide Kings - four young and privileged men kidnap a retired mob boss played by Christopher Walken - is appealing. So much so that it makes me wish it made for a better film.

Suicide Kings tries to be a psychological thriller focusing on mental cat-and-mouse games between the mobsters and his kidnappers, and the actors are good enough to pull it off - in fact, they're good enough to make you think that there's any psychological depth to the film, when really there's none. Walken and the talented young cast - Denis Leary, Jay Mohr, Sean Patrick Flanery (The Boondock Saints), Jeremy Sisto (Law & Order), Johnny Galecki (The Big Bang Theory) and Henry Thomas (E.T's Elliot all grown up) - all deliver their lines with so much passion and conviction that you almost don't notice how messy and shallow the script really is.

This fine group of actors - and Walken's wildly charismatic performance most of all, from an actor so powerful he can dominate the film while being tied to a chair for all but a few minutes of it - is more than enough to make the film entertaining, even very enjoyable. The weak script, which deteriorates into cheap twists and conspiracies towards the end - makes it entirely forgettable. A quick comparison to Danny Boyle's Shallow Grave is a testament to how much more comfortable the British are with theatrical minimalism. With a great director and a great script, Suicide Kings could have been something wonderful. As it is, it's good enough for one pleasurable watch, but leaves no mark and no impression.