Following the theft of a postal-order, a fourteen-year old cadet is expelled from Naval College. To save the honour of the boy and his family, the pre-eminent barrister of the day is engaged to take on the might the Admiralty.
A fateful event leads to a job in the film business for top mixed-martial arts instructor Mike Terry. Though he refuses to participate in prize bouts, circumstances conspire to force him to consider entering such a competition.
Having left New Hampshire over excessive demands by the locals, the cast and crew of "The Old Mill" moves their movie shoot to a small town in Vermont. However, they soon discover that The Old Mill burned down in 1960, the star can't keep his pants zipped, the starlet won't take her top off, and the locals aren't quite as easily conned as they appear.Written by
Jon Reeves <firstname.lastname@example.org>
If you know Mamet's film history, you'll realize often, he writes about lowlifes and depressing (though good) subject matter such as the Untouchables, Glengarry Glen Ross and The Winslow Boy. But now, Mamet turns to light comedy and succeeds, even if as times it's a little too light.
The film is mainly supported (besides a clever script) by it's cast including William H. Macy delivering some good laughs as a director who comes off like he did in Fargo, only more like you would see a director. Phillip Seymour Hoffman makes good as a writer, Alec Baldwin brings some sly humor as a big movie star who can't get away from 14 year old girls (though Julia Stiles doesn't look 14), Sarah Jessica Parker is actually sexy here, and David Paymer is stunningly funny as a go for broke producer. At points, one could compare this movie to the brilliant Bowfinger from last year and they might be right, but Mamet also adds in stuff about small towns as well. Enjoyable to say the least. B+
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