Michael Lewis, a young American architect, is sent to Britain to refurbish an old London hotel. But this assignment instantly stretches beyond the ordinary as he finds himself exposed to a ... See full summary »
Paul W.S. Anderson
You've run out of options, no school, no job. Steal a car, smash a shop with a heavy car and reap the proceeds! This movie is about underground England. The causes, the benefits, and the result of a life of 'crash and carry.'
In a futuristic society, some people are selected at birth to become soldiers, and trained in such a manner that they become inhuman killing machines. One of the most succesfull and older of these soldiers (Russell) is pitted against a new breed of soldiers, and after the confrontation is believed to be dead. His body is left behind in a semi-abandoned colonial planet, where everything is peaceful, and he is taught about the other aspects of life. But eventually he has to fight the new breed of soldiers again, this time to defend his new home...Written by
Parca Mortem <email@example.com>
When first submitted to the MPAA, the movie got an NC-17 rating, and some of the violence had to be cut down for R-rating. The eye gouging scene in the fight between Todd and Caine in the beginning was the most heavily cut scene. See more »
In the initial attack, the three-man fire team consists of three soldiers carrying a flamethrower, a minigun, and an automatic rifle. But Todd kills two soldiers carrying flamethrowers. See more »
[to audience of very young boys]
A soldier does not speak until spoken to by a superior officer. A soldier shows no mercy. Mercy is weakness. Weakness is death. A soldier...
[squealing pig led in for slaughter]
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Although rated "Not under 18" by the FSK in Germany, this version still contains numerous cuts to reduce violence. The "Not under 16" version removes or shortens nearly every violent part. See more »
The Flowing Bowl
Traditional Arranged by Solas
Courtesy of Shanachie Entertainment Corp. See more »
Kurt Russell is strong and (mostly) silent in this futuristic action-thriller from Paul Anderson (Event Horizon, Resident Evil.) Set on a garbage-dump planet, Soldier plays like a cross between Rambo and Shane, with Russell barely speaking as the title character, an "obsolete" genetic soldier left for dead. The supporting cast of colonists, including Connie Nielsen, Sean Pertwee and a surprisingly hirsute Michael Chiklis, is able. They spend most of the movie being scared of Russell, and the rest of it running for their lives. Russell's performance here is one of the best he's ever given. With almost no words to say, he conveys emotion, feeling and meaning with looks and glances. It is almost a mime performance. When the action sequences kick into gear, he kicks ass--and does so in a strong, silent, matter-of fact way. There are flaws. Jason Scott Lee is brutish as a "superior" genetic soldier. Jason Isaacs does a great impression of Frank Burns from M*A*S*H as a weaselly commanding officer, and Gary Busey busts a gut (and nearly busts his girdle) as Todd's mentor. This is an underrated, and excellent sci-fi flick, and recommended for anyone who wants a second visit to the universe of Blade Runner--David Webb Peoples wrote both screenplays.
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