A 6 y.o. Inuit boy runs off a snowy roof in Copenhagen and dies. Smilla, a half Inuit who lives in the building and knows the boy, looks into it. What makes an acrophobic boy run up on the roof? The clues take her to Greenland.
Her youth has been spent working for a farm family, being raped by father and son, marrying the son who has now left her a happy widow. She is happy because World War I is over and she is ... See full summary »
Luisa Jobst is a grade-school teacher in Bavaria. She's as idealistic as she is fair - much to the displeasure of a father who's hoping she'll give his son better grades. One day, a nude ... See full summary »
Johann von Bülow,
Ulrike C. Tscharre
The film centers on a big Polish family. Jadzia is the mother and the ruler of the Pzoniak family (she has five children). Though she's happily married to Bolek, she is also having a ... See full summary »
A bond between three people in a German concentration camp is still there many years after they were split up, all deep scars from back then. One of them invites them to a reunion, and we're out for a night none of them will ever forget.
Based on Peter Hoeg's bestseller, this film is set in snowy Copenhagen where a small boy is found dead after he fell off a roof. Smilla Jasperson, a close friend who lives in the same house begins to suspect murder because she knows that the boy was afraid of heights and would not have played on the roof. As she begins to investigate, she is pulled deeper and deeper into a conspiracy that could very well mean her death.Written by
Harald Mayr <firstname.lastname@example.org>
As in the movie Orca, made twenty years earlier, Richard Harris plays in a final scene taking place on ice and snow. See more »
On the boat while, listening to the tape, Licht tells Smilla that an EEG is monitoring someone's heart. EEGs measure brain waves; EKGs (also called ECGs) measure heart rate and electrical activity. See more »
You know, Benja, one day that tight behind and those pert little boobs are going to start sagging. And when they do, my wonderful wealthy father is going to drop you and find someone else.
I don't care! Besides, by then you'll be dead of old age.
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Bille August's "Smilla's Sense of Snow" starts off with great promise. An opening sequence that's a terrific hook segues into an introduction of the character of Smilla Jasperson, played perfectly by the lovely Julia Ormond. Smilla is self-isolated, deeply unhappy, and unapproachable. Her only real friend is the young Inuit boy, Isaiah, who dies suddenly under suspicious circumstances, and Smilla determines to uncover the reasons for his death. For the first two reels, this film is a terrific mystery story with good pacing, fine acting, and evocative cinematography. Characters with uncertain motives come and go as the story unfolds, most played by a fine stable of talented actors. But then in the third reel, the film collapses. I'm not talking about a slow descent into mediocrity here; I'm talking about a precipitous nosedive. Out of the blue, the story suddenly switches to an action/thriller format that is poorly written, directed, and edited. New, undeveloped characters are suddenly thrown into the mix, each a deus ex machina as the increasingly unrealistic plot requires. The film's denouement, in which the underlying mystery is revealed, is so scientifically ridiculous both in terms of biology and especially in physics that I felt thoroughly cheated. It's as if the entire enterprise were rushed to completion due to a looming shortage of time, money, and interest. What a pity. Even so, the first two thirds of the film stand up well on their own, and my rating is based on that. Rating: 7/10.
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