Father Michael McKinnon goes from the U.K. to Boston circa 1935. For unknown reasons, he avoids at all costs the most prominent parishioners, Arthur and Eleanor Barret. Meanwhile, Eleanor ...
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Detective Kyle Bodine falls for Rachel Munro who is trapped in a violent marriage. After shooting her husband, Kyle reluctantly agrees to help hide the body, but Kyle's partner is showing an unusual flair for finding clues.
New York is the dream city of Tavo and Marina, where the lovers hope to start a better life; at home in Bogota they have to work as pocket pickers at the airport to support their families. ... See full summary »
In Wales, around 1800, Catherine Morgan is widowed young, her husband a war casualty whose unpaid gambling debts threaten both the loss of home and farm and destitution for her and her ... See full summary »
A bickering couple drive fast through a downpour to catch the last ferry to their island retreat. In a flash, they recognize a crumpled body laying at the side of the road after much ... See full summary »
Father Michael McKinnon goes from the U.K. to Boston circa 1935. For unknown reasons, he avoids at all costs the most prominent parishioners, Arthur and Eleanor Barret. Meanwhile, Eleanor and Arthur desperately want to have a child, but Arthur is sterile, so they hire Harvard law student Roger Martin to impregnate Eleanor, but unfortunately Roger falls in love with her.
The narration of this movie is supposed to be Father McKinnon telling the story to Hannibal Thurman, yet there are parts of the story that Hannibal is in which would certainly not have to be told to Hannibal by McKinnon. If that isn't bad enough, there is a part of the narration (right after Roger agrees to be the surrogate father) that McKinnon says "Hannibal knew that.........." even though it is Hannibal he is talking to. See more »
Fortunately for me, I stumbled on this film with absolutely no expectations--didn't even know the title until I looked it up on the IMDb! But it kept me watching, fascinated, for two hours (including commercials), and at the end I felt like I wanted to spend more time with it. It has romance, elegant atmosphere, a surprising plot, intriguing themes, and good actors...so, while the pacing and direction sometimes seem a touch stilted, I'd definitely watch it again.
I'm a bit baffled that everyone who finds fault with this film picks on the story. For me, the story was the strong point: it had some truly surprising twists and grew from the complexities and relationships of a range of fully drawn characters--a luxury most films, with their flat cardboard characters, don't offer. And the references to Virginia Woolf, also singled out for criticism by many viewers, actually served to enrich and illuminate the ways the film dealt with the tragic inability of a woman to escape the double standard. In the world of the film, where even a seemingly perfect husband could with no warning transform into a tyrant, even a woman who thought she had it all could be trapped by a paucity of choices.
That makes it sound like a preachy feminist movie, which it isn't. In fact, those who enjoy good old-fashioned murder mysteries will get a kick out of it. Perfect it isn't, but I can think of far worse ways to spend a lazy evening.
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