Father Michael McKinnon goes from the U.K. to Boston circa 1935. For unknown reasons, he avoids at all costs the most prominent parishioners, Arthur and Eleanor Barret. Meanwhile, Eleanor ...
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The Moorish General Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his Lieutenant Michael Cassio, when in reality, it is all part of the scheme of a bitter Ensign named Iago.
Paul, an irritable and stressed-out hotel manager, begins to gradually develop paranoid delusions about his wife's infidelity. As he succumbs to green-eyed jealousy, his life starts to ... See full summary »
Detective Kyle Bodine falls for Rachel Munro who is trapped in a violent marriage. After shooting her husband, Kyle reluctantly agrees to help hide the body, but Kyle's partner is showing an unusual flair for finding clues.
Father Michael McKinnon goes from the U.K. to Boston circa 1935. For unknown reasons, he avoids at all costs the most prominent parishioners, Arthur and Eleanor Barret. Meanwhile, Eleanor and Arthur desperately want to have a child, but Arthur is sterile, so they hire Harvard law student Roger Martin to impregnate Eleanor, but unfortunately Roger falls in love with her.
I was looking for the Australian western of the same name and the Sundance credits writer got it wrong and roped me into this 1930s Boston Catholic melodrama. I still want to see the western, but this was not a bad misdirection.
Whoever cast A History of Violence had to see this film as William Hurt plays the same character in both films - marvelously, I might add. He is a rich Catholic businessman here instead of a mobster, but the basics are the same. He wants to give his wife (Madeleine Stowe in a great performance) a child and Viagra was not yet invented, so he hires someone (Neil Patrick Harris) to do the job. His only mistake was picking a 24-year-old who couldn't just take the money and walk away. OK, so we have a moral question here, but we ignore that for the movies sake.
Into his parish comes a new priest (Kenneth Branagh) and he jumps the Rabbit-Proof Fence, uses The Magic Flute, and we have an Alien Love Triangle. Didn't Richard Chamberlain do that naughty priest bit in The Thorn Birds? There is a lot of Catholic malfeasance, guilt and remorse and penance and symbolism here, but don't let that turn you off as it doesn't interfere with the story. And, no children were hurt in the making of this film.
There are some fine performances and an interesting story. You should check it out.
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