After the death of 11 climbers, Austrian Heinrich Harrer (Brad Pitt) decides to add glory to his country and to the Austrian pride by climbing Nanga Parbat in British India, and leaves his expectant wife behind. An egoist and a loner, he does not get along with others on his team - but must bend to their wishes after bad weather threatens them. Then WWII breaks out, they are arrested and lodged in Dehra Dun's P.O.W. Camp. He attempts to break out several times in vain, but finally does succeed along with Peter Aufschnaiter (David Thewlis), and they end up in the holy city of Lhasa - a place banned to foreigners. They are provided food and shelter, and Peter ends up marrying a tailor, Pema Lhaki, while Heinrich befriends the Dalai Lama. They meet regularly; while he satiates the child's curiosity about the world, including Jack the Ripper and 'yellow hair'; he is exposed to the teachings of Lord Buddha, He even constructs a movie theater, while getting news of the end of the war, his ...Written by
Director Jean-Jacques Annaud sent a team to Tibet to secretly film footage. About 20 minutes of it made it into the finished film. This was kept secret even after the film's premiere and not known until summer 1999. See more »
The music of Lotte Lenya singing "Mack the Knife" while Harrer is in the British POW camp was not recorded until 1955, more than a decade after the time the scene took place. See more »
Why must you be this way? Why, why is there always a problem? It's a good question. Do you want to go home? Do you want to turn around?
Would that make... It's the Himalayas! How long have I been talking about the Himalayas? How long?
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As the end credits roll, a view of the mountains of Tibet is seen. See more »
The main problem with this film, and indeed with many films set in the outdoors, is that it's too long. Maybe it's because I'm a product of the city and the suburbs, but to me, most movies set in the outdoors that don't use the scenery to advance the plot or set the mood, but rather just want to gaze at it, bore me quickly. It's like, "Yes, it's beautiful, let's move on." Also, though I like Brad Pitt, he doesn't always do the job with his Austrian accent; even when he gets it down, you're always thinking, "That's Brad Pitt doing an Austrian accent," rather than, "That's Heinrich Harrer." And that whole subplot about Harrer missing the son he's never seen doesn't work.
Still, there is much to like in this film. In many of these "white men in strange country" movies, the emphasis is on what the white man teaches the people in the other country, and that's somewhat condescending; here, it's on what the people in the other country teach Harrer, yet his story isn't made more important than the story of the Tibet people. Also, though his accent doesn't convince, Pitt is convincing as Harrer in the physical sense; he looks like a former skier and like the blond, blue-eyed ideal of the Nazis. And finally, he's convincing in taking us through Harrer's transformation.
Two more things; one, someone in their comments wondered how the Dalai Lama knew so much about Western culture. According to the book, Harrer found the Dalai Lama to be quite curious about the world around him, so he studied what he could. Also, the film meets head-on the controversy about Harrer being a former Nazi; it doesn't soft-pedal his past at all, which makes his transformation that much more convincing.
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