Runaway Car

This movie got nothing going for it. When I say nothing I mean NOTHING. How can people think up such crap and pass it off as a movie. There is not an ounce of realism in the plot and to top it off the acting is below par in fact way below par. It still baffles me why did the police just use a "stinger" to stop the car like they do on countless times to stop bad guys (in real life). If only the makers did include that into this movie, we would have been saved from facing such trash. I would give this flick a 1/100 rating.

What a movie. From the stereotyped characters to the baby the helicopter and the bridge, this movie is cliche ridden in the extreme. Yet it is compelling because of that. And it has Judge Rienhold in it. This is a must see with a few cans, a few mates, and money riding on what is going to happen next. The only thing I want to know is who did the M.O.T on that car

This 1997 film-blanc classic tale of smoldering passion has achieved its well-deserved legendary status as one of the screen's greatest sagas of a doomed and hopeless love. The pervasive, ongoing and progressive magnetism between Judge Reinhold and what's-her-name is sure to set many a viewer's heart a-flutter with memories of one's own first crush. The brilliant screenplay dangles this embryonic affair-to-be in front of the enraptured audience, sitting transfixed as the abstract, almost-expressionist cinematography deep-focuses on the just-under-the-surface desires that ebb and flow between the principals. You can cut the sexual tension with a dull tire iron.

A tiny drop of perspiration on the end of a nose catches the bright sunshine, and leaves no doubt as to its significance. Scenes like this abound and bear watching again and again. As with "Jane Eyre" and "Rebecca" (to which this masterpiece is so often compared), the closeups of the actors' faces as they experience the slow dawning of the great love-that-is-not-to-be will haunt you forever.

The now-classic RC soundtrack score, with its creative and unique use of solo synthesizer, emphasizes the emotion that drips throughout like a leaky crankcase.

If I had any criticisms at all by mentioning what I consider a minor flaw (and dared to risk the wrath of the millions of fans who hold this classic so dear to their hearts), I would say that the hallmark of "Runaway Car" - its sense of mounting sexual tension - is briefly broken by the highway scene, which now after repeated viewings seems just a bit overlong (and probably even unnecessary?) to the eternal, bittersweet tale of Love Interrupted.

Dare I advance what I perceive as the tiniest of flaws in this critically-acclaimed triumph of modern cinema? 'Citizen Kane' had its 'Rosebud' . . . 'Runaway Car' should have its catchword as well. Perhaps the film could have opened with an extreme closeup of Judge Reinhold saying something such as "A car is an extension of its owner!", and the rest of the storyline could then be dedicated to parsing every syllable, subtlety and nuance of that phrase. Had that plot line been done, this film could have topped "Titanic" at the Golden Globes that year, I'm convinced.

My one regret? That I didn't read the novel first.

Look, although we don't like to admit it, we've all have to suppress our fears concerning the extreme likelihood of experiencing the events that take place in this movie. You know: you get into your car and you immediately start thinking,"Gosh, I hope today isn't the day that my accelerator sticks at a comfortable cruising speed of 55 mph, all four door latches break in the locked position, both my main and emergency brake fail, my ignition switch can't be turned off, and I've got a full tank of gas; all simultaneously." Fortunately, for most of us, our Thorazine kicks-in before we actually decide that it's a bad idea to be driving a car. Not so for the makers of the harrowing, white-knuckle, edge-of-your-seat (if only in preparation to leave the room) action juggernaut, "Runaway Car" But they go ahead and drive anyway!

I am endlessly pleased to have found (thanks to the imdb) that this movie is real, and that I didn't merely dream it.

This movie is, at the very least, one of the fantastic sights you will see on your journey to find the El Dorado of Very Bad Cinema.

I highly recommend it.

Allegedly based on a true story, Siemaszko is a nurse having second thoughts about her career when she finds herself heading down the freeway with Judge Reinhold (in his most embarrassing screen appearance) and another dude, when her Rambler Hornet decides to drive itself!

Allegedly travelling at 100 MPH (which is more than 170 kph) we are treated to numerous external scenes where it is obvious the car is going no more than 30 or 40 mph. A baby in the besieged compact is winched to safety...something they could have done one hour earlier! The suspense is laughable, the effects worse, and the ending - missing! Why did no-one think to rip out the back seat, crawl into the trunk and puncture the gas tank or pour some water/soft drink into it??

Ultimately, the car crosses a bridge, falls off a road at about 30 mph and the credits roll! No explanation tendered for anything! About the same level as PLAN NINE FROM OUTER SPACE except THAT was a classic movie!