With the aid from a New York City policeman, a top immigrant cop tries to stop drug-trafficking and corruption by immigrant Chinese Triads, but things get complicated when the Triads try to bribe the policeman.
Action superstar Chow Yun-Fat portrays real-life gangster Chen Daqi as he rises to the upper echelons of power, finding himself torn between the love of two women, the murderous plots of the secret service, and the looming threat of war.
John Lee is the best hitman money can buy. But when John refuses to kill because of the seven year-old son of his target, John's bosses send someone after John to kill him and then take his place in the ring of hitmen. John then teams up with Meg Coburn to help him escape these "Replacement Killers."Written by
In the music that plays over the introduction of the "replacement killers" as they walk through the airport terminal, the female voice that is heard singing, is Claire Trevor singing "Moanin' Low" from Key Largo (1948). See more »
After John and Meg escape from Wei's gang, they return to John's hideout, where he treats her dislocated patella - which looks amazingly like the real thing, makeup or no. John pops the kneecap back into place with no difficulty. However, anyone who has ever suffered that particular injury knows that it would be impossible to immediately stand, walk, run and jump as Meg does when the evil-doers subsequently chase them from the apartment. The tissue damage involved takes weeks, if not months, to heal enough to allow that kind of activity. See more »
Hits the center of the bulls-eye with hair-raising accuracy.
Wild and absolutely menacing thriller involving Chow Yun-Fat (in his American film debut) as John Lee, a quiet yet resourceful hit-man who along with a sarcastic forger, Meg Coburn (Mira Sorvino), become involved when Lee refuses to take out someone close to a cop (Michael Rooker), who shot and killed his mobster boss' drug-dealing son during a drug bust and in the process, Coburn and Lee are also targeted by his superiors.
It's a brilliant debut for Yun-Fat and director Antoine Fuqua ("Bait", "Training Day"), both of whom show their skills with such respect. Some of the shoot-outs that take place in some areas that you wouldn't even think of (car wash, alley, movie theater, etc.). Plus, the cinematographer Peter Lyons Collister and composer Harry Gregson-Williams excell in making the movie even more entertaining. The scenery has a very colorful and artistic look to it and the music doesn't get too loud. I think of the movie as "Lethal Weapon" made like in the style of John Woo, who is one of the film's producers.
"The Replacement Killers" certainly hits the center of the bulls-eye with hair-raising accuracy.
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