Based on Pat Barker's novel of the same name, 'Regeneration' tells the story of soldiers of World War One sent to an asylum for emotional troubles. Two of the soldiers meeting there are ...
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Charlie Colquhoun is a journalist whose career is floundering. As a teenager, he fathered a daughter, Tommy, who was committed to foster care as an infant. Seventeen years later, Charlie, ... See full summary »
A young Pakistani man is chasing corporate success on Wall Street. He finds himself embroiled in a conflict between his American Dream, a hostage crisis, and the enduring call of his family's homeland.
Based on Pat Barker's novel of the same name, 'Regeneration' tells the story of soldiers of World War One sent to an asylum for emotional troubles. Two of the soldiers meeting there are Wilfred Owen and Siegfried Sassoon, two of England's most important WW1 poets.Written by
Daniel Roy <email@example.com>
The film used a lot of present and former Territorial Army soldiers as extras for larger scenes. This includes soldiers from 52nd Lowland, 6th Battalion Royal Regiment of Scotland, located in Hotspur street, Glasgow. See more »
The camera and the crane on which it is suspended are reflected in several puddles during the very opening shot (of the battlefield). See more »
When a film is made of a classic book like this one, it has to satisfy two sets of viewers - those who have read the book and want to see it faithfully rendered on screen, and those who want to see an entertaining film. It is seldom easy to do both, but this film makes a valiant attempt. It is true to the original in spirit, and makes use of Pat Barker's excellent dialogues and one-to-one scenes. Criticisms of it as "talky" are difficult to justify, because to include lengthy action sequences that play no part in the book would clearly alter the nature of the story.
My main criticism would be that the Rivers character comes across as lacking in professionalism rather than simply sensitive to his patients. The scene where he quarrels openly with Sassoon in the dining room is not only unlikely but untrue to the book. The Prior sub-plot is also grossly simplified and his affair with the munitionette is made to appear more innocent than it is. This is inevitable in a dramatisation, and the oblique references to the future development of the character are probably a mistake, as they will mean nothing to those who have not read the book.
I particularly like the musical score, which adds to the atmosphere without distracting the viewer.
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