In Canton, Mississippi, a fearless young lawyer and his assistant defend a black man accused of murdering two white men who raped his ten-year-old daughter, inciting violent retribution and revenge from the Ku Klux Klan.
Samuel L. Jackson
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a murder mystery involving a young girl. That night in a dream, he is approached by a... See full summary »
Rudy Baylor is a young attorney out to make a difference in the justice system. He is also the only hope of an elderly couple after their corrupt insurance company refuses to payout a claim that could save their child's life. In this judicial drama, Baylor rails against corporate lawyers, corrupt judges, and abusive husbands, all with the help of a fellow lawyer who hasn't even passed his bar exam. He is facing long odds in the courtroom - and this is only his first case.Written by
Steve Richer <firstname.lastname@example.org>
Francis Ford Coppola chose Composer Elmer Bernstein for the film, for a couple of reasons. First, he wanted a score that featured a Hammond B-Organ in the style of the late jazz musician Jimmy Smith. Throughout the better part of a decade, Bernstein had featured an instrument, called the "Ondes Martinot", played by soloists Cynthia Millar or Jeanne Leoad (Heavy Metal) in many of his original scores, which had quite a similar sound to the Hammond organ. Second, he was looking to bring a dramatic depth to the story, and referenced Bernstein's classic score from To Kill A Mockingbird (1962) as an exemplar for the kind of score that he wanted. Pianist Michael Lang performed the piano and Hammond Organ solos on this score. See more »
Around 13 minutes in the film when Rudy is questioning Mrs. Birdie about her will, the amount of writing on his legal pad changes from shot to shot, sometimes showing a blank pad, to showing various amounts of scratched out text. See more »
My father hated lawyers all his life. He wasn't a great guy, my old man. He drank and beat up my mother; he beat me up too. So you might think I became a lawyer just to piss him off. But you'd be wrong. I wanted to be a lawyer ever since I read about the Civil Rights lawyers in the 50s and 60s, and the amazing uses they found for the law. They did what a lot of people thought was the impossible. They gave lawyers a good name. And so I went to law school. And it did piss my father ...
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There is a credit for "Poet in Residence". See more »
It was something else, seeing The Rainmaker again, 20 years later. The plot, the cast, the look of it, it all has that Coppola touch and that
has to be with truth, the way he, Francis Ford Coppola sees it. Beautiful, powerful and moving but the most powerful element after 20 years turns out to be Johnny Whitworth. What a gorgeous, soulful performance. It took me by surprise, I remember the character from my first viewing but this time his is the character who affected me the most. Imagine in a cast that includes Teresa Wright! Yes, Teresa Wright, Dean Stockwell as well as Matt Damon, Mary Kay Place, Jon Voight, Danny De Vito, Mickey Rourke, Claire Danes. Time does extraordinary things. It reveals the center of the center of the truth.
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