In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
A high school swim champion with a troubled past enrolls in the U.S. Coast Guard's "A" School, where legendary rescue swimmer Ben Randall teaches him some hard lessons about loss, love, and self-sacrifice.
2013,Post-Apocalyptic America. An unnamed wanderer retrieves a Postman's uniform and undelivered bag of mail. He decides to pose as a postman and deliver the mail to a nearby town, bluffing that the United States government has been reinstated and tricking the town into feeding him. However, he reluctantly becomes a symbol of hope to the townspeople there who begin to remember the world that once was and giving them the courage to stand up to a tyrannical warlord and his army.
An open mining pit in Tucson was used in the movie. It was one of the largest film sets ever dressed, at least two miles wide, and 1200 feet deep to create Bethlehem's camp. Engineers looked over the drawings for buildings of the future to see if they were structurally sound. They built Bridge City on the face of the dam that supplies half of Seattle's power. Despite the danger from being swept away they persisted with the work while wearing rubber suits. See more »
As The Postman and General Bethlehem are starting their parley in the climactic scene, a cameraman and camera are visible on the rock face behind the General. See more »
"The Postman" is one of those films that has become almost synonymous with the concept of "lousy, awful, horrible, terrible, stinking mess of a movie." Like "Plan 9 from Outer Space," "Ishtar," or "Gigli," it is sometimes invoked in this manner on Internet message boards or in chatter between friends. But is "The Postman" truly such a horrible disaster? I would argue that its bad reputation is overdone.
Make no mistake, this movie is no "Citizen Kane." There is no way, by any stretch of the imagination, that this could be called a "great" movie. But every week B-movies that are orders of magnitude worse come out. What is it about this one that accounts for its enduring lousy reputation? This in itself is an interesting question.
Part of the answer has to do with Kevin Costner. It is hard to imagine now, but at one time (especially in the wake of "Dances with Wolves") his reputation in Hollywood was towering and unassailable. Costner squandered his mega-star status with a series of expensive yet mediocre duds such as this one, and in the end "The Postman's" crime is not that it is a truly terrible movie, but that it is simply a not-great movie that deflated the public's hopes and expectations of what Kevin Costner film should be. The curse of too-high expectations.
The worst aspect of this movie is its occasional pomposity and self-importance, derived from Costner's own enormous mid-90s ego, and it is easy to laugh at the final scene or various dramatic sequences with swirling symphonic music and glistening slo-mo shots. But if you can get beyond this and look at the movie as just a somewhat entertaining way to pass a few hours, it really isn't that bad, especially if you are a fan of the "dark future" genre of films. Will Patton in particular provides a good, convincing performance, as do a number of other minor characters.
And the world of "The Postman" -- a decayed, post-apocalyptic, decentralized
America where the federal government has collapsed -- is interesting in its own right. Remember, this film was borne of the early/mid 1990s, a time that gave us Timothy McVeigh, anti-government sentiment, Waco, and fear about "militias." There was a sense in the air that America could possibly disintegrate and fragment into local areas battling each other in the long run. This world view seems very alien in the post-9-11 era, where there is much more of a consciousness of being an American, "rallying around the flag," and the role of the federal government as a powerful military force, for good or for ill. Nowadays fear of outsiders and terrorism has largely replaced fears of internal anarchy and domestic unraveling. "The Postman" reminds us that not so long ago America envisioned its dark possible futures in a very different way than it currently does, and this in itself is instructive and worth pondering.
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