In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
Director:
Kevin Reynolds
Stars:
Kevin Costner,
Jeanne Tripplehorn,
Dennis Hopper
Lieutenant John Dunbar, assigned to a remote western Civil War outpost, befriends wolves and Indians, making him an intolerable aberration in the military.
Director:
Kevin Costner
Stars:
Kevin Costner,
Mary McDonnell,
Graham Greene
After 19 years of playing the game he's loved his whole life, Billy Chapel has to decide if he's going to risk everything and put everything out there.
Director:
Sam Raimi
Stars:
Kevin Costner,
Kelly Preston,
John C. Reilly
A high school swim champion with a troubled past enrolls in the U.S. Coast Guard's "A" School, where legendary rescue swimmer Ben Randall teaches him some hard lessons about loss, love, and self-sacrifice.
Kidnapped boy Phillip Perry (T.J. Lowther) strikes up a friendship with his captor Butch Haynes (Kevin Costner): an escaped convict on the run from the law, while the search is headed up by honorable Texas Ranger "Red" Garrett (Clint Eastwood).
2013,Post-Apocalyptic America. An unnamed wanderer retrieves a Postman's uniform and undelivered bag of mail. He decides to pose as a postman and deliver the mail to a nearby town, bluffing that the United States government has been reinstated and tricking the town into feeding him. However, he reluctantly becomes a symbol of hope to the townspeople there who begin to remember the world that once was and giving them the courage to stand up to a tyrannical warlord and his army.
The cities of Pineview and Benning were both filmed in the small town of Metaline Falls, Washington. Tons of dirt were brought in to turn the paved roads into dirt roads and a lot of work was put in to make the buildings look old and distressed. See more »
Goofs
When Ford-Lincoln-Mercury and the postal carrier from California (Clark) are about to be executed, and Ford introduces himself, we flash to a distance shot, in which we see Clark remove his hat. We then flash to a closeup, and Clark removes his hat again. See more »
Quotes
The Postman:
Wouldn't it be great if wars could be fought just by the assholes who started them?
See more »
I truly do NOT understand why The Postman was attacked as viscously as it was by the film media (there films much more worthy of the Golden Raspberry Awards in 1997). I loved this film and was very impressed with the loving amount of dedication that it demonstrates on the part of the actors, writers and director. This was a GOOD movie: it had a strong and intelligent story; excellent and interesting characters; and real feel for the post-Apocalypse genre. I felt that Kevin Costner's everyman act worked beautifully in this film and created a sense of reality for the character and of his situation.
As far as the sci-fi novel by David Brin, this film exceeded it in every way possible. Where Brin had to rely on cheezy sci-fi standards (like supersoldiers) to resolve his story, this film does using only two men, both frauds, and both with radically different understandings of what constitutes a proper society. That is what made this film great (and I rarely use the term great), that this film was essentially an examination of America and what America means. It was a parable of sorts about the types of men Americans are and what they are capable of (notice that the head bad-guy had a traditional, classical education, while Costner did not; he appreciated these things but they were not at the center of his belief system... I wonder why).
While I do not agree with every aspect of this film (I am a Medievalist and a Platonist, so I don't necessarily feel the same way about the Western Canon that the film-maker may have), I still find it to be a beautiful reflection on the psyche of the American everyman. America has a tradition of rejecting the absolutist ideals of the past in favor of the pragmatic relativism of today, and I think that this film is a parable of the divorce of America from the traditions of Europe.
Overall, this is a complex and entertaining film and I highly recommend it to anyone interested in examinations of American culture and tradition, perhaps as a double feature with Citizen Cane (I am not, however, claiming that the Postman was as good a film as Citizen Cane, only that they have a similar theme... what does it mean to be an American?).
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I truly do NOT understand why The Postman was attacked as viscously as it was by the film media (there films much more worthy of the Golden Raspberry Awards in 1997). I loved this film and was very impressed with the loving amount of dedication that it demonstrates on the part of the actors, writers and director. This was a GOOD movie: it had a strong and intelligent story; excellent and interesting characters; and real feel for the post-Apocalypse genre. I felt that Kevin Costner's everyman act worked beautifully in this film and created a sense of reality for the character and of his situation.
As far as the sci-fi novel by David Brin, this film exceeded it in every way possible. Where Brin had to rely on cheezy sci-fi standards (like supersoldiers) to resolve his story, this film does using only two men, both frauds, and both with radically different understandings of what constitutes a proper society. That is what made this film great (and I rarely use the term great), that this film was essentially an examination of America and what America means. It was a parable of sorts about the types of men Americans are and what they are capable of (notice that the head bad-guy had a traditional, classical education, while Costner did not; he appreciated these things but they were not at the center of his belief system... I wonder why).
While I do not agree with every aspect of this film (I am a Medievalist and a Platonist, so I don't necessarily feel the same way about the Western Canon that the film-maker may have), I still find it to be a beautiful reflection on the psyche of the American everyman. America has a tradition of rejecting the absolutist ideals of the past in favor of the pragmatic relativism of today, and I think that this film is a parable of the divorce of America from the traditions of Europe.
Overall, this is a complex and entertaining film and I highly recommend it to anyone interested in examinations of American culture and tradition, perhaps as a double feature with Citizen Cane (I am not, however, claiming that the Postman was as good a film as Citizen Cane, only that they have a similar theme... what does it mean to be an American?).