A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.
A young man tries to help a teenage European girl who escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
A college film student, obsessed with the works of Alfred Hitchcock, investigates a murder committed in the apartment building across from his and suspects that his seductive neighbor hired a girlfriend to commit the deed.
Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
Standard story of the Phantom does have one major variation - The phantom is not a disfigured individual, but rather is an unwashed orphan abandoned in the sewers under the Paris Opera & raised by rats. The Phantom invokes death upon anyone who dares harm his beloved rats. In fact, The Phantom's nemesis is the chief exterminator who develops a rat-catching machine.Written by
John Sacksteder <email@example.com>
Cinematographer Ronnie Taylor has worked on three other adaptations of Gaston Leroux's novel "The Phantom of the Opera". He was cinematographer in Dario Argento's previous Opera (1987), as well as camera operator in Brian DePalma's Phantom of the Paradise (1974). He also did the cinematography for Popcorn (1991), which is considered to have been inspired by the novel. See more »
I beg you pardon?
I thought you said something
I said nothing. But I caught myself thinking about you. Thoughts that surprise me. And I'm not easily surprised.
Thinking about me? Why?
I wanted to tell you, your voice fills my heart with divine light. Shhhhs. Listening too you is sublime, wonderful. This must be our secret. Tell nobody, then no one will know we'll meet again.
When you hear my thoughts, you'll know where to go
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Being a fan of horror films, I was naturally intrigued to see that Italian horror legend Dario Argento had made a version of Phantom of the Opera. I rented it without hesitation. Well, it certainly isn't his best work, to put it mildly. The film introduces several new and interesting elements to the Phantom story, which by now has been rehashed ad nauseum. Some of these elements include - the Phantom having been raised by rats, the Phantom is not (externally) deformed, and therefore, does not wear the mask that is almost mandatory for the part (despite the fact that it appears on the cover - though it does make a haunting appearance in one scene, if you can catch it in the background). Unfortunately, the potential of these new ideas is never fully explored, rather, they are reintroduced and reintroduced as if to say, "Hey, look what I thought of! Isn't that great?" It seems that Argento got so caught up in the atmosphere and style of the movie that he forgot there was actually a story going on. The commitment to atmosphere is obvious - the costumes _are_ positively marvelous, and the cinematography is also quality. Beyond that, the film more or less falls apart. The acting is, for lack of a better word, absolutely terrible. I was sighing with relief everytime one of the few actors who managed mediocrity came onscreen. Julian Sands as the Phantom is flat, not surprising for an actor who fell off the face of the earth ten years ago. Andrea di Stefano as his rival Raoul is neither good nor bad, but certainly inexperienced. Asia Argento as the singer is disappointing compared to some of her other performances - but as one reviewer noted, she always seems to be holding back when working for her father.
The biggest problem I had with it was the hideous line dubbing. At least I _hope_ some of those lines were dubbed. Another problem is just how quickly the movie takes things for granted. Almost before I had time to take my popcorn out of the microwave and sit down, the singer and the phantom were madly in love and communicating psychically. Yes, psychically, another new idea that is interesting of its own right but doesn't work because it is presented far too suddenly and with very little supporting detail.
Overall . . . it has its moments. Those moments could have made for a very refreshing look at the Phantom story, as well as a darn good movie. Unfortunately, it managed to do only some of the former, and none of the latter.
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