In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him ...
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Rosie returns to her home city on the death of her father, a former policeman. His diaries hint at corruption, and she also receives hints and veiled threats which support her suspicions. ... See full summary »
Sir Robert Chiltern is a successful Government minister, well-off and with a loving wife. All this is threatened when Mrs Cheveley appears in London with damning evidence of a past misdeed.... See full summary »
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband's death, and finds herself not only under arrest for murder but falling in love with an officer.
In mid-1800s England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him through a sign to leave his father and his faith and join the Church of England. Lucinda is a teen-aged Australian heiress who has an almost desperate desire to liberate her sex from the confines of the male-dominated culture of the Australia of that time. She buys a glass factory and has a dream of building a church made almost entirely of glass, and then transporting it to Bellingen, a remote settlement on the north coast. Oscar and Lucinda meet on a ship going to Australia; once there, they are for different reasons ostracized from society, and as a result "join forces" together. Oscar and Lucinda are both passionate gamblers, and Lucinda bets Oscar her entire inheritance that he cannot transport the glass church to the Outback safely. Oscar accepts her wager, and this leads to the events that ...Written by
After a slow beginning, Oscar and Lucinda meet and create a peculiar relationship with God on one side and the addiction of gambling on the other. The last half hour is quiet fascinating as Oscar takes a journey to sail a glass church down the river and into a small secluded town. This unfortunately was treated with rather hastily, not given the attention the early scenes received. But we still get the picture and by the end of it Ralph Fiennes' brilliant performance as the saintly manic, bible guilt-ridden, phobia riddled Oscar, makes it worth the while.
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