Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York City. There he meets Karen, they are attracted to each other and after ...
See full summary »
Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
Robert Downey Jr.,
Natasha Gregson Wagner
A 25 year old female White House staffer, Carla Town, is murdered in the White House. D.C. homicide detective Regis is assigned to investigate, only to find evidence suppressed by the ... See full summary »
UN's secretary general uses covert operations to help diplomacy along. Shaw's called back 6 months after one such operation. He witnesses the murder of Chinese UN ambassador at UN, NYC, chases the assassin and ends up a suspect.
When an escort girl is found dead in the offices of a Japanese company in Los Angeles, detectives Web Smith and John Connor act as liaison between the company's executives and the investigating cop Tom Graham.
Los Angeles advertisement director Max visits his friend, artist Charlie, who was diagnosed with A.I.D.S. in New York City. There he meets Karen, they are attracted to each other and after they meet later that day at the concert, they have a passionate night. Then he returns home to Los Angeles to his family, and wife Mimi. A year later, Max returns to New York City again to visit Charlie, who is now dying, and there he meets Karen again, who is married to Charlie's brother Vernon.
In his autobiography "Hollywood Animal", Joe Eszterhas states that his completed script was ninety percent dialogue, and that Michael De Luca, New Line's head of production, told him that the company's employees liked the script so much, that they were going around the office reciting lines of dialogue. See more »
When Charlie finds out about Max and Karen's affair, Karen is wearing dark red nail varnish. By the end of the scene she isn't wearing any. See more »
LEAVING LAS VEGAS affected me like almost no other movie has, so I was bound to find this film somewhat of a let-down, but even I was surprised by how much. In his other films, Figgis has demonstrated he's a master with mood and atmosphere, and he's good here as well. The scene where Max and Karen first meet is nicely played, without too much foreshadowing thrown in. But this is a conventional plot, and try as he might, Figgis isn't able to make it interesting enough. And as much as I hate Joe Eszterhas (whose screenplay this is re-written from), I can't imagine his ending was any worse (or maybe this was his ending).
I'm not a big fan of Kinski to begin with, but to be fair, she has almost nothing to work with, and she does try. And I like Ming-Na Wen, but she's also stuck, she with a too-unsympathetic character. The men come off better; Snipes and MacLachlan are good, but really, the main reason this is worth watching is Robert Downey Jr., who avoids cliche even when his character is dying. Otherwise, you're left wondering, what the hell was the purpose here?
7 of 10 people found this review helpful.
Was this review helpful to you?
| Report this