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As Good as It Gets (1997)

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ON DISC
A single mother and waitress, a misanthropic author, and a gay artist form an unlikely friendship after the artist is assaulted in a robbery.

Director:

James L. Brooks

Writers:

Mark Andrus (story), Mark Andrus (screenplay) | 1 more credit »
Reviews
Popularity
463 ( 146)
Won 2 Oscars. Another 36 wins & 53 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jack Nicholson ... Melvin Udall
Helen Hunt ... Carol Connelly
Greg Kinnear ... Simon Bishop
Cuba Gooding Jr. ... Frank Sachs
Skeet Ulrich ... Vincent
Shirley Knight ... Beverly
Yeardley Smith ... Jackie
Lupe Ontiveros ... Nora
Jill the Dog ... Verdell (as Jill)
Timer the Dog Timer the Dog ... Supporting Dog (as Timer)
Billy the Dog Billy the Dog ... Supporting Dog (as Billy)
Bibi Osterwald ... Neighbor Woman
Ross Bleckner Ross Bleckner ... Carl
Bernadette Balagtas ... Caterer
Jaffe Cohen ... Partygoer
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Storyline

New York City. Melvin Udall, a cranky, bigoted, obsessive-compulsive writer, finds his life turned upside down when neighboring gay artist Simon is hospitalized and his dog is entrusted to Melvin. In addition, Carol, the only waitress who will tolerate him, must leave work to care for her sick son, making it impossible for Melvin to eat breakfast. Written by Jon Reeves <jreeves@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

A comedy from the heart that goes for the throat. See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 on appeal for strong language, thematic elements, nudity and a beating | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

25 December 1997 (USA) See more »

Also Known As:

Old Friends See more »

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$12,606,928, 28 December 1997, Wide Release

Gross USA:

$148,478,011

Cumulative Worldwide Gross:

$314,178,011
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Dolby

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Kevin Kline was attached to the film at an early stage. See more »

Goofs

In the end, Melvin won't go into Carol's apartment because of the lines on the kitchen floor, but when he first goes to see her early in the movie, he looks down and walks into her kitchen past the front door, and they do pan a few minutes later to show you the kitchen floor has lines, so he never would have stepped into the kitchen like he wouldn't at the end of the movie. See more »

Quotes

[Simon is hospitalized and is given a hand mirror to see his horribly beaten up face]
Simon Bishop: [shocked, almost in tears] Oh my god! Where did I go?
See more »

Crazy Credits

In cast credits dogs are credited as: Verdell - Jill Supporting dogs - Timer, Billy See more »


Soundtracks

MY ONLY
Written by Heitor Pereira and Phil Roy
Produced by Phil Roy
Performed by Danielle Brisebois
See more »

Frequently Asked Questions

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User Reviews

 
Unusual movie
17 February 2000 | by krumskiSee all my reviews

This movie is bizarre because, while judged overall its story is shmaltzy and unbelievable, nevertheless each individual scene plays absolutely convincingly and feels very real. It's weird. I don't know if it's just the greatness of the actors overcoming an under-thought out script, or whether it's just the script concentrated solely on crafting great scenes one after the other, but not so much in coming up with a convincing through-line. Whatever. All I know is that this is one of the most entertaining pictures I've ever seen, extremely funny and quite emotionally affecting in places. Somehow, it just doesn't matter - I like it anyway.

The performances are uniformly excellent. Nicholson shows real range here - sure, he gets to be the sarcastic curmudgeon we've all come to expect, but his character also has moments of fear, repression and vulnerability which he brings off equally well. My problem with this character (and the "problem" only exists as I think about him afterward, not while I'm actually watching the movie) is in his conception: he seems to be whatever the writers want him to be at that moment, with no particular consistency from scene to scene so when he supposedly "changes" at the end, we're left to think, "Change? This guy's been changing through the entire movie!" And also, the fact that his character is a romance novelist is never really explained or examined in any way.

And yet, Nicholson's performance makes it not matter quite so much.

Helen Hunt is a revelation in this movie - she nails every scene she's in, whether she's forced to be witty, embarrassed, angry, defiant, emotionally overwhelmed, whatever. She keeps Jack on his toes, and they work off each other brilliantly. Also, I never thought I'd find myself saying this, but Greg Kinnear was great as Simon, the gay neighbor. (It was also nice to see director Harold Ramis - the third Ghostbuster, after all - in front of the camera again, if only briefly, in a small part as a doctor.)

What more can I say? Good comedy, good love story, great acting. None of it, in the end, is very convincing, but if you just focus on the individual moments and not on the grand design - a task made easy by the wonderful writing and playing - it's very easy to like As Good As It Gets.


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