Jordan White and Amy Blue, two troubled teens, pick up an adolescent drifter, Xavier Red. Together, the threesome embark on a sex and violence-filled journey through an America of psychos and quickiemarts.
Kenzo creative directors Carol Lim and Humberto Leon have tapped American independent filmmaker Gregg Araki, one of the leading lights of the New Queer Cinema movement, to write and direct ... See full summary »
Grace Victoria Cox,
A group of teenagers try to sort out their lives and emotions while bizarre experiences happen to each one, including alien abductions, bad acid trips, bisexual experiences, suicides, bizarre deaths, and a rape by a TV star. All of this happens before "the greatest party of the year".Written by
Parca Mortem <firstname.lastname@example.org>
Although the entire movie is set over the course of a single day, all of the main characters change their clothes several times throughout the film; Mel, Lucifer, Montgomery, Cowboy, Bart, Egg, Dingbat, among others, appear wearing different clothes in different scenes. Dark is the only main character who wears the same clothes throughout the movie. See more »
Dark's facial stubble changes constantly. See more »
L.A. is like... nowhere. Everybody who lives here is lost.
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All the way past the credits, we see Dark sitting on his bed covered in gore and blood, finally breaking free of his shock with a horrible scream. See more »
Gregg Araki can be faulted for not inviting the "main stream" audience into his "vision" of the world. But this probably isn't really a goal of his, anyway. As I watched "Nowhere" in the theater (twice in one week) I was filled with awe that something I had always felt had been so colorfully put on celluloid: finding love is all that matters, but the world isn't designed to make that finding easy. So when "Dark" finds an amazingly true moment amongst the usual Araki violence, hilarity, sex and clutter (a moment to simply relax and hold the person in the bed next to him) it rings true to the heart of experience. The movie ends in the next moment with an equally true touch. So, the sooner we find love, the sooner it can find its own reason to leave us. Araki's best film. If you don't get it, then he probably doesn't want you to.
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