Nick's wife's in bed with his boss. He later gets a gun to his head by a carjacker but steps on the gas pedal. They end up friends after adventures together - holdups, burglary, reckless driving, revenge etc. Twists follow.
Though it's been about twenty years since they have spoken with one another, two estranged soul-singing legends agree to participate in a reunion performance at the Apollo Theater to honor their recently deceased band leader.
An aimless young man who is scalping tickets, gambling, and drinking, agrees to coach a Little League team from the Cabrini Green housing project in Chicago as a condition of getting a loan from a friend.
When a man (Robbins) believes he has discovered that his wife is having an affair with his boss, it sets off a chain reaction of events. First he wanders into a ghetto where a robber (Lawrence) tries to take his money at gunpoint, but instead sets a wild ride from California to Arizona. The two eventually become reluctant friends. Discussing robbery techniques, they decide to get back at the boss by robbing an office safe containing hundreds of thousands of dollars. Life is further complicated by another pair of robbers who chase the first two for infringing on their territory.Written by
John Sacksteder <firstname.lastname@example.org>
Just like in "The Shawshank Redemption" (1994), in this film, Tim Robbins plotted to rob the financial assets of a man who had wronged him. As Andy Dufresne, Robbins robbed the financial assets of Warden Samuel Norton (Bob Gunton). In this film, as Nick Beam, Robbins robbed the financial assets of his boss, P.B. (Michael McKean), although Beam eventually returned the money to his boss. See more »
In the scene where Martin Lawrence's character returns home for the second time, and his children come and sit with him, you see the son kneel on his crotch, and Martin Lawrence winces, laughs, and briefly looks at various points in the room, assumingly at crew members. See more »
Where do I start? It's not you. Well actually it is you. Look, I'm just not... I'm not attracted to you anymore. I need space. You kinda... you kinda gross me out. In the beginning it was different. In the beginning, you were better. But then I got to know you real well, and I came to realize... that you're a fat idiot.
See more »
After the credits are finished, a mailman brings a letter to the hillbilly whose gas station was robbed. The letter is marked "Hillbilly Motherfucker", just as T. called him in the movie. Inside is a few hundred dollars cash. In the cut version this is changed to "Hillbilly at the gas station". See more »
When aired on USA in 2001, all the bad language usage was removed and redubbed. Also the scene where Nick asks Manny if he's ever had a really bad day and Manny says he's having one right now; Martin Lawrence's sentence of "you got a funny way of not robbing the motherfucker" was changed to "then you definately need to brush up on consumer edicate."; The ending shown after the credits where a mail man brings an envelope marked "Hillbilly Motherfucker" to the Oasis Gas Station owner filled with cash was not shown. See more »
Nothing wrong with some good simple entertainment!
This movie surprised me how entertaining it was. It's simple like most other mismatched buddy-flicks but this movie has a certain bit of extra, which not in the least thanks to its fine solid cast.
Thank goodness it's not the type of comedy that forces its humor upon people. The comedy of the movie is more in the chemistry between Martin Lawrence and Tim Robbins. Yes, it sounds weird but Tim Robbins and Martin Lawrence are really a great screen duo, with some nice comedy chemistry, that get themselves into some fun trouble when by coincidence embarking on a sort of road-trip together. Like in all road-movies, some crazy characters pop-up. The most sensational one's in this movie are being played by John C. McGinley and Giancarlo Esposito, who form a criminal-duo. The diversity of John C. McGinley as an actor is amazing. Just look at the list of movies he has done and the characters he has played.
But the greatest power of the movie is the chemistry between the two main actors and their individual comical skills. Tim Robbins is a great serious actors, who just happens to like doing comedies as well from time to time. But on top of that he also really has talent for the genre. He knows how the deliver the lines in the right way and knows how to time his moments. Martin Lawrence also has been the sort of comical-actor who fun with his dialog. As a stand-alone actor and when he needs to carry a movie on his own he just isn't good enough but when he teams up with another great comical actor (for example as was the case with Will Smith in "Bad Boys"), he's truly at his best and most fun to watch.
The story unfolded nicely and slowly. Nothing got forced and things just happened as they came along, such as always is the case in road-movies. It at the same time also makes the movie surprising, or at least not as predictable or formulaic as most other comedies. The movie has a couple of greatly build-up moments, some more subtle than the other, but always fun and in some cases even hilarious to watch. Look out for Irma P. Hall as Martin Lawrence's character's mother! It's true that the movie doesn't live up to its fine fast paced start but nevertheless the movie remains fun to watch throughout.
It's a movie surprisingly well worth seeing!
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