The Myth of Fingerprints (1997)
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- R
- 1h 33min
- Comedy, Drama
- 17 Sep 1997 (USA)
- Movie
A few days spent in close proximity to each other soon leads to family secrets and old resentments being revealed, which threaten to splinter an already dysfunctional family.
Director:
Writer:
Awards:
- 1 win & 9 nominations.
- See more »
Photos and Videos
Cast verified as complete
Randee Allen | ... |
Waitress
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Arija Bareikis | ... |
Daphne
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Justin Barreto | ... |
Young Jake
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Chris Bauer | ... |
Jerry
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Nicholas Bourgeois | ... |
Young Warren
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Tom Cumler | ... |
Man at Train Station
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Blythe Danner | ... |
Lena
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Hope Davis | ... |
Margaret
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Christopher Duva | ... |
Tom
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Kelsey Gunn | ... |
Young Leigh
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Laurel Holloman | ... |
Leigh
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Brian Kerwin | ... |
Elliot
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James Le Gros | ... |
Cezanne
(as James LeGros)
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Julianne Moore | ... |
Mia
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Polly Pelletier | ... |
Young Mia
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Pam Jack | ... |
Bookstore Woman
(as Pamela Polhemus)
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Michael Rupert | ... |
Warren's Psychiatrist
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Roy Scheider | ... |
Hal
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Michael Vartan | ... |
Jake
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Noah Wyle | ... |
Warren
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Rest of cast listed alphabetically: | |||
Ann Moller | ... |
Train Passenger (uncredited)
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Directed by
Bart Freundlich |
Written by
Bart Freundlich | ... | (written by) |
Produced by
Howard Bernstein | ... | associate producer |
Anthony Bregman | ... | associate producer |
Bart Freundlich | ... | producer |
Ted Hope | ... | executive producer |
Victoria McGarry | ... | line producer |
Tim Perell | ... | producer |
James Schamus | ... | executive producer |
Mary Jane Skalski | ... | producer |
Noah Wyle | ... | associate producer |
Music by
David Bridie | ||
John Phillips |
Cinematography by
Stephen Kazmierski | ... | director of photography |
Editing by
Ken J. Sackheim | ||
Kate Williams |
Editorial Department
Laurie Butler | ... | first assistant editor |
Dalton Helms | ... | first assistant editor |
Dave Pultz | ... | color timer (as David Pultz) |
Hurin Veis | ... | second assistant editor |
Casting By
Douglas Aibel | ||
Christine Sheaks |
Production Design by
Susan Bolles |
Art Direction by
John McFarlane |
Set Decoration by
Catherine Pierson |
Costume Design by
Lucy Corrigan | ... | (as Lucy W. Corrigan) |
Makeup Department
Deborah Cross | ... | additional makeup assistant |
Gianna Sparacino | ... | key hair designer |
Tracy Warbin | ... | key makeup artist |
Production Management
Ross Katz | ... | post-production supervisor |
Jake Myers | ... | unit manager |
Thomas H. Peters | ... | assistant production manager |
Natascha Tillmanns | ... | production manager |
Second Unit Director or Assistant Director
Jolyon Handler | ... | second assistant director |
Marco Londoner | ... | second second assistant director |
David 'Wex' Wechsler | ... | first assistant director (as David Wechsler) |
Art Department
Pamela Berkeley | ... | charge scenic |
Brian Buteau | ... | set dresser |
Pamela Chodosh | ... | scenic artist |
Lisa Frantz | ... | property master |
Hector M. Gonzalez | ... | scenic artist (as Héctor González) |
Shannon Hart | ... | scenic artist |
Paul Hausman | ... | carpenter |
Mame James | ... | assistant set decorator |
Dianne Kalemkeris | ... | assistant props |
Cailin Kavanaugh | ... | art department intern |
Mary Jane Schepers | ... | scenic artist |
Jeffrey Scott Taylor | ... | lead man |
Nate Thibodeau | ... | art department intern |
Sound Department
Stephen Altobello | ... | assistant sound editor |
Tim J. Carroll | ... | stereo sound engineer: Dolby |
Jesse Feigelman | ... | location sound mixer |
Steve Hamilton | ... | supervising sound editor |
Andy Kris | ... | adr engineer |
Leo Madrazo | ... | foley artist |
Kelly Neese | ... | additional boom operator |
David Novack | ... | post-production sound mixer |
James Palumbo | ... | apprentice sound editor (as James M. Palumbo) |
Will Ralston | ... | sound effects editor (as Jennifer Ralston) |
Peter Schneider | ... | location sound mixer |
Juan Carlos Zaldívar | ... | dialogue editor |
Stunts
Christopher Derek Lee | ... | stunt coordinator (as Christopher Lee) |
Camera and Electrical Department
Joe Arcidiacono | ... | assistant camera / camera operator: "b" camera |
Janice Arthur | ... | Steadicam operator |
David Bryant | ... | best boy grip |
Casey Campbell | ... | best boy electric |
Jason Carter | ... | additional assistant camera |
Trish Clark | ... | second assistant camera |
Scott Crawford | ... | additional assistant camera |
Bill Foley | ... | still photographer (as William Foley) |
Michael Fornasiero | ... | grip |
Matt Foster | ... | additional electrician |
J. Alan Hostetter | ... | gaffer (as Alan Hostetter) |
John Kiley | ... | additional electrician |
Peter Letzelter-Smith | ... | additional electrician |
Jayson Lobozzo | ... | additional grip |
Manuel Cuotemoc Malle | ... | still photographer (as Manuel Malle) |
Charles Papert | ... | steadicam operator |
Antonio Rossi | ... | second assistant camera |
Kurt Schwarz | ... | key grip |
Jason Summers | ... | third electrician |
John Tanzer | ... | camera loader |
Casting Department
Jordan Beswick | ... | casting associate |
Debra Lord Cooke | ... | local casting (as Dee Cooke) |
Laurie Gershon | ... | extras casting |
Costume and Wardrobe Department
Marie Abma | ... | wardrobe supervisor |
Pamela Kezal | ... | wardrobe assistant |
Laura Jean Shannon | ... | assistant costume designer |
Location Management
Douglas Hall | ... | location assistant |
Andrew Saxe | ... | location manager |
Tracy Skillin | ... | location scout |
Christine Welker | ... | assistant location manager |
Music Department
David Abuiso | ... | musician: double bass |
David Bridie | ... | musician: piano, keyboard and vocals |
Andrew Carswell | ... | musician: mandolin and tin whistle |
Hannah Cooper | ... | musician: oboe |
Robin Gador | ... | musician: bass |
Steve Hamilton | ... | music editor |
Zar Hanley | ... | assistant music engineer |
Michael Hill | ... | music supervisor |
Peter Luscombe | ... | musician: drums |
Tracy McKnight | ... | music supervisor |
Helen Mountfort | ... | musician: cello and harmonica |
Greg O'Shea | ... | assistant music engineer |
John Phillips | ... | musician: acoustic and electric guitars |
Simon Polinski | ... | music engineer / music mixer |
Script and Continuity Department
Chiemi Karasawa | ... | script supervisor |
Transportation Department
William McGrath | ... | driver |
William O'Brien | ... | transportation captain |
Additional Crew
Dave Bennett | ... | office intern |
Gregory Blois | ... | electronic press kit crew |
Vanessa E. Cooper | ... | set intern |
Nicole Duryea | ... | additional production assistant |
Rick Eichler | ... | office intern |
Alfa Erma | ... | office intern |
Paola Freccero | ... | unit publicist |
Cliff Fuller | ... | office production assistant |
Bill Garvey | ... | additional production assistant |
Laurie Gershon | ... | product placement/clearances |
Hilary Duval Hall-Allred | ... | stand-in |
Melissa Hanson | ... | set intern |
Elizabeth Heeden | ... | film conform assistant |
Greg Hudson | ... | electronic press kit crew |
Katie Hutchins | ... | office intern |
Anne Kauffman | ... | assistant: Mr. Freundlich |
Myron Kerstein | ... | film conform assistant |
Michael Kimball | ... | stand-in |
Michele Larocca | ... | film conform assistant |
Sig Libowitz | ... | assistant to producers |
Chip Liscombe | ... | office intern |
Harlem Logan | ... | production assistant (as Harley Forrest Logan) |
Joline Lord | ... | stand-in |
Pietro Lorino Jr. | ... | production accountant |
Jon Marcus | ... | assistant production coordinator |
Jennifer Murphy | ... | craft service |
Neil Orlowski | ... | production assistant |
William Perkins | ... | production coordinator |
Guy H. Rocourt II | ... | production assistant (as Guy Rocourt II) |
Patrick Sheedy | ... | post-production accountant |
Amanda Slater | ... | key set production assistant |
Joan Stein | ... | office intern |
Noreen Ward | ... | post-production accountant |
Shawn Wilson | ... | assistant accountant |
Production Companies
Distributors
- Columbia TriStar Home Video (1997) (United States) (VHS) (pan and scan)
- Cipa (1998) (France) (theatrical)
- Columbia TriStar Home Entertainment (1999) (Germany) (VHS)
- Columbia TriStar Home Video (Brazil) (DVD)
- Columbia TriStar Home Video (Brazil) (VHS)
- First Independent Films (United Kingdom)
- Sony Pictures Classics
- Sony Pictures Home Entertainment (2005) (Australia) (DVD)
Special Effects
Other Companies
- Axium Entertainment Group (payroll)
- Bureau (titles)
- Cafe de Cocoa (catering)
- Clein & White (unit publicity)
- Disc Insurance Services (production insurance)
- Film Finances (completion bond)
- Frankfurt Kurnit Klein & Selz (legal counsel)
- Goodedit (picture post-production services)
- Hand Held Films (camera equipment)
- High Output (grip and lighting equipment)
- Kiss Studios (music recording studio)
- Maraquita Films (picture post-production services)
- Noëlle Penraat (negative matching)
- Periscope Studio (music recording studio)
- Republic National Bank of New York (production banking)
- Sound One Corporation (re-recording studio)
- Spin Ciclo Post Inc. (audio post-production services)
- The Effects House (opticals)
- Xeno Lights (grip and lighting equipment)
Storyline
Plot Summary |
An ambitious debut for writer/director Bart Freundlich charting the unrest with a family who gather together for Thanksgiving Day. Written by Jonathan Fox |
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Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
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Filming Locations |
Box Office
Budget | $2,000,000 (estimated) |
Opening Weekend United States | $42,009, 21 Sep 1997 |
Did You Know?
Trivia | Actress Julianne Moore and director Bart Freundlich met while filming this picture. Moore has said that one week after the shooting started they were together. They were married and have had two children. See more » |
Movie Connections | Featured in The Game/The End of Violence/L.A. Confidential/The Disappearance of Garcia Lorca (1997). See more » |
Soundtracks | I Like It Like This See more » |
Quotes |
Jake:
I know your true passion theory about two people destined to be together, but we can't all be filled with that much faith, trust and emotion. It just means if you have someone you're not alone. You're not going to find that in some fairy tale romance. Sometimes you have to sit through low times where you don't necessarily feel overwhelmingly, totally in love all the time. See more » |