Murder in Mind (1997)
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- R
- 1h 28min
- Drama, Thriller
- 24 Apr 1999 (South Korea)
- Movie
A woman undergoes hypnosis to determine who murdered her husband, a crime for which she is the chief suspect.
Director:
Writer:
Award:
- 1 nomination.
- See more »
Photos and Videos
Cast verified as complete
| Nigel Hawthorne | ... |
Dr. Ellis
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| Mary-Louise Parker | ... |
Caroline Walker
(as Mary Louise Parker)
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| Jimmy Smits | ... |
Peter Walker
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| Jason Scott Lee | ... |
Holloway
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| Gailard Sartain | ... |
Charlie
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| Jon Cedar | ... |
Superior Officer
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| Ingo Neuhaus | ... |
Officer
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| Art Metrano | ... |
Judge
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| Rob LaBelle | ... |
Lecturer
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| Mitch Ward | ... |
Court Clerk
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| Anne DeSalvo | ... |
Flustered Attorney
(as Anne De Salvo)
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| Jodi Long | ... |
Secretary, Helen
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Eric Cadora | ... |
Secretary #2, Patrick
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Nicholas Cascone | ... |
Prosecutor
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Elizabeth Norment | ... |
Dr. Beck
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| James Handy | ... |
Dr. Harvard
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| Roman Wyden | ... |
Deli Server
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| Aaron Lustig | ... |
Defense Attorney
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James Maitland | ... |
Medic
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John Marrott | ... |
Detective
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Glenn Schlechter | ... |
Accident Detective #1
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Tom Bales | ... |
Accident Detective #2
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Richard McCune | ... |
Accident Officer #1
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Ken Christmas | ... |
Accident Officer #2
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Directed by
| Andrew Morahan | ||
Written by
| Michael Cooney | ... | (written by) |
Produced by
| Steve Beeks | ... | associate producer |
| Nigel Hawthorne | ... | associate producer |
| Alan Howden | ... | executive producer |
| Sara Lewis | ... | associate producer |
| Jeremy Paige | ... | producer |
| Kelley Feldsott Reynolds | ... | associate producer |
| Paul Rich | ... | executive producer |
| Rena Ronson | ... | executive producer |
| Glenn Ross | ... | associate producer |
| Vicki Slotnick | ... | producer |
Music by
| Paul Buckmaster | ||
Cinematography by
| John B. Aronson | ... | director of photography (as John Aronson) |
Editing by
| Andrea MacArthur | ||
Editorial Department
| John Babinec | ... | assistant editor: avid |
| Meghan Crallé | ... | editorial consultant |
| Clark Graff | ... | assistant editor |
| Scott Inbody | ... | additional editor |
| Terry Kelley | ... | editorial consultant |
Casting By
| Sheila Jaffe | ||
| Georgianne Walken | ||
Production Design by
| Ben Morahan | ||
Art Direction by
| Stephen Sinclair | ||
Costume Design by
| Merrie Lawson | ||
Makeup Department
| Jill Cady | ... | key makeup artist |
| Jerry Macaluso | ... | special makeup effects supervisor |
| Conor McCullagh | ... | special makeup effects (as Connor McCullagh) |
| Brooks Stenstrom | ... | key hair stylist |
Production Management
| JoAnn Perritano | ... | unit production manager |
Second Unit Director or Assistant Director
| Michael Cedar | ... | first assistant director |
| Mark S. Constance | ... | second assistant director |
Art Department
| Jr. Ed Borasch | ... | property master (as Edward J. Borasch Jr.) |
| Sean Falkner | ... | lead scenic |
| Scott Fortner | ... | assistant property master |
| Steve Joyal | ... | art swing gang |
| Steve Martinez | ... | storyboard artist |
| Sean Quinn | ... | set dresser |
| Ginny Rankin | ... | art department coordinator |
| Thom Ward | ... | set designer / set dresser |
| Darcy Wennes | ... | art swing gang |
Sound Department
| Mark Allen | ... | sound effects editor |
| Eric Behrend | ... | pre-dubbing mixer |
| Leslie Bloome | ... | foley walker (as Leslie Bloom) |
| Lorita de la Cerna | ... | foley recordist |
| Patrick M. Griffith | ... | sound effects editor |
| Lisa Hannan | ... | sound effects editor |
| Eric Jaffe | ... | sound effects editor |
| Michael Jonascu | ... | sound effects editor |
| Kurt Kassulke | ... | sound effects mixer |
| John Kohlbrenner | ... | sound effects editor |
| Michael Kreple | ... | adr recordist |
| Chris Ross Leong | ... | dialogue editor (as Chris Leong) |
| Paul N.J. Ottosson | ... | sound effects editor |
| Robert Perkins | ... | boom operator |
| Paul Ratajczak | ... | dialogue mixer / sound re-recordist lead / sound supervisor |
| Dennis Sager | ... | supervising engineer |
| Larry Scharf | ... | production sound mixer |
| Debby VanPoucke | ... | sound effects editor |
| Kerri Wilson | ... | adr supervisor |
Stunts
| Kurt Bryant | ... | stunt coordinator |
| Al Goto | ... | stunts |
| Steve Griffin | ... | stunts |
| Rowley Irlam | ... | stunt double |
| Justus-Berumen Sandy | ... | stunts (as Sandy Berumen) |
| Lee Waddell | ... | stunts |
| Danny Weselis | ... | stunts |
Camera and Electrical Department
| Waide R. Allen | ... | Lighting technician |
| Simon Ayriss | ... | swing: second unit |
| Todd Barron | ... | assistant camera / second assistant camera |
| Monty Bass | ... | best boy grip |
| Joey D. Brown | ... | gaffer |
| Peter Burge | ... | best boy electric |
| Nicholas Cochiolo | ... | grip |
| Byron J. Cohen | ... | still photographer |
| Joe Crouch | ... | electrician: second unit |
| Dario De Gregorio | ... | photographer: 8 mm |
| Carlos DePalma | ... | grip |
| Jason Elliott | ... | grip: second unit (as Jason Elliot) |
| Tom Feucht | ... | grip |
| Erik Folsom | ... | gaffer: second unit |
| Richard Fortinberry | ... | grip |
| Eric J. Goldstein | ... | additional photographer |
| Bennett S. Graebner | ... | grip |
| Barry Gross | ... | grip |
| Greg Hewett | ... | key grip |
| Kevin Houston | ... | electrician |
| James J. Hughes | ... | grip |
| Renaldo Jackson | ... | electrician |
| Dean Lent | ... | director of photography: second unit |
| Brian Lucas | ... | electrician |
| Brent Marks | ... | electrician |
| Donovan Milcoch | ... | camera loader |
| Scott Moody | ... | electrician |
| David Musselman | ... | electrician |
| Gerry O'Malley | ... | steadicam operator (as Gerald G. O'Malley) |
| Anthony Q. Palmer | ... | electrician |
| Jeff Pamula | ... | grip: second unit |
| Shereen Saleh | ... | first assistant camera |
| Paul Schmidt | ... | dolly grip |
| Dave Watson | ... | electrician |
Casting Department
| David Anthony | ... | extras casting |
| Barbara Klein | ... | extras casting |
Costume and Wardrobe Department
| Nicole Capasso | ... | costumer |
| Nadine Haders | ... | costume supervisor |
| Jacquee Leahy | ... | costume intern |
Location Management
| Deanna Adney | ... | location manager |
| Kevin Collins | ... | location manager |
Music Department
| Mike Bradford | ... | assistant to composer |
| Demelza Cronin | ... | music editor (as Demelza Rylance) |
| John Kovarek | ... | music mixer / music recordist |
Script and Continuity Department
| Jennifer Getzinger | ... | script supervisor |
Transportation Department
| Brett Boydstun | ... | transportation coordinator |
| Ronan P. Nagle | ... | transportation captain |
Additional Crew
| Steven Belgard | ... | unit publicist |
| Valerie Bleth Sharp | ... | assistant to producers (as Valerie Ann Bleth) |
| Stu Canter | ... | set production assistant |
| Paul Chin | ... | stand-in |
| Dennis Davidson | ... | Worldwide publicity |
| Nawana Davis | ... | assistant: Ms. Parker |
| Magda Deen | ... | assistant: Mr. Morahan |
| John Robert Gowan | ... | set production assistant (as John R. Gowan) |
| Debra Heesch | ... | stand-in |
| Robert Hume | ... | set production assistant |
| Evan Jacobs | ... | watch master |
| Michelle Katz | ... | production coordinator |
| Scott Lenz | ... | assistant: Mr. Hawthorne |
| John Marrott | ... | stand-in |
| Herbert L. McGurk | ... | post-audio supervisor |
| Julie McLean | ... | assistant production coordinator |
| Scott R. Meyers | ... | set production assistant |
| Adriann Morales | ... | production assistant |
| Shari Sontag | ... | assistant accountant |
| Michael Taylor | ... | craft service: second unit |
| Ron Ulstad | ... | stand-in |
| Andrea Woodman | ... | key set production assistant |
| Antonio Yepis | ... | craft service |
Production Companies
- Alva Motion Pictures
- British Broadcasting Corporation (BBC)
- Evergreen Entertainment
- Lakeshore Entertainment
- Lakeshore International
- MIM Enterprises Inc.
- Storyteller Films Ltd.
Distributors
- Arcade Movie Company (1999) (Netherlands) (VHS)
- Audio Visual Enterprises (1997) (Greece) (VHS)
- Cineplex Odeon Films (1997) (Canada)
- Cineplex-Odeon Home Video (1998) (Canada) (VHS)
- Hallmark Entertainment (1997) (United States)
- Home Box Office (HBO) (1997) (United States) (tv)
- Live Home Video (1998) (United States) (VHS)
- Pioneer LDC (1998) (Japan) (VHS)
- Power Pictures (Netherlands) (VHS)
- Universal Studios Home Video (1998) (Canada) (VHS)
- VCL Communications (1997) (Germany) (VHS)
Special Effects
Other Companies
- Background Players (extras casting)
- Cinelease (grip and lighting equipment)
- DDA (worldwide publicity)
- Entertainment Medical (medical facilities)
- Film Finances (completion guarantor)
- Ground Control Studios (sound design)
- J.L. Fisher (camera cranes and dollies)
- Juan's On Location Technical Security (security)
- Lightning Strikes (lighting)
- Magic Film and Video Works (negative cutting and assembly)
- Rogers & Cowan/PMK (unit publicity)
- Sapex Scripts (post-production script services)
- Title House (titles and opticals)
Storyline
| Plot Summary |
The L.A. police find two bodies in a fancy house and suspect the wife of one victim. Dr. Ellis, a hypnotherapist, takes her back in time; with the police listening, a pattern of spousal abuse emerges. When each trance ends, however, the woman, Carolyn Walker, wonders if those repressed memories are true. Dr. Ellis guides her through her trial, testifies himself, and continues treatment after the verdict is in. Carolyn's memory and well-being get worse after the trial, not better. She misses some therapy sessions, and Dr. Ellis comes to see her at home. Snatches of memory come and go. Can he help her remember what really happened? Are the cops satisfied justice has been done?
Written by |
| Plot Keywords | |
| Taglines | Truth is the deadliest illusion of all. See more » |
| Genres | |
| Parents Guide | Add content advisory for parents » |
| Certification |
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Box Office
| Budget | $4,500,000 (estimated) |
Did You Know?
| Trivia | Filmed for a theatrical release but was released straight-to-video instead. See more » |
| Goofs | In most U.S. courts, testimony given while under hypnosis is not admissible as evidence; it is too easy for a subject under hypnosis to be influenced by the hypnotist. Hence, so-called "hypnotically-refreshed" testimony is considered unreliable in a court of law. See more » |