A 25 year old female White House staffer, Carla Town, is murdered in the White House. D.C. homicide detective Regis is assigned to investigate, only to find evidence suppressed by the ...
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Shaw is an operative for the United Nations' covert dirty-tricks squad, using espionage and quasi-ethical tactics to secure peace and cooperation. When a shipping container full of dead ... See full summary »
When an escort girl is found dead in the offices of a Japanese company in Los Angeles, detectives Web Smith and John Connor act as liaison between the company's executives and the investigating cop Tom Graham.
A 25 year old female White House staffer, Carla Town, is murdered in the White House. D.C. homicide detective Regis is assigned to investigate, only to find evidence suppressed by the Secret Service. After suspecting a cover-up, Regis convinces Secret Service Agent Nina Chance to assist in uncovering the truth. The President's son Kyle Neil is a prime suspect, as he was having sex with Carla within an hour of her murder. While the investigation ensues, the President, Jack Neil, is holding meetings with top military personnel regarding North Korea's holding 23 U.S. military personnel hostage. Regis confronts top Secret Service Agent Spikings at his home shortly after Spikings returns with evidence leading to the murder. The home is attacked and Spikings is killed, but Regis makes it out alive with Agent Chance's assistance, and with the evidence tape. White House adviser Jordan presents false evidence to the President that his son killed Carla and forces the President to say he will ...Written by
At least the whodunit puzzle left me guessing. But that's the only redeeming quality of this pretentious mystery, set at the White House. A lone, good guy cop (played by Wesley Snipes) goes up against the rich and powerful. Our hero fights the bullies and the bad guys with courage and daring. It's a tired, stale concept.
The story is chock-full of pretentious, self-important, irritatingly hip characters, most of them conveniently photogenic. The plot contains lots of chases and some fight scenes. It also contains the obligatory in-your-face news media frenzy, and other tiresome film clichés. The dialogue is banal. Example: "Section 6 secure"; "Go. Freeze!". The film's ending is unimaginative and trite.
Color cinematography is adequate, if conventional. Production design is detailed and quite convincing. Acting is average. The nondescript background music is very manipulative.
"Murder At 1600" comes across as your typical big-budget, high profile film right off the Hollywood assembly line. It's got visual pizazz and lots of "action". But the story lacks substance and depth, the characters are stereotyped, and the dialogue is vapid. It's just one more example of how Hollywood throws production megabucks as substandard screenplays.
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