Three years ago, entomologist Dr. Susan Tyler genetically created an insect to kill cockroaches carrying a virulent disease. Now, the insects are out to destroy their only predator, mankind.
A disease carried by common cockroaches is killing Manhattan children. In an effort to stop the epidemic an entomologist, Susan Tyler, creates a mutant breed of insect that secretes a fluid to kill the roaches. This mutant breed was engineered to die after one generation, but three years later Susan finds out that the species has survived and evolved into a large, gruesome monster that can mimic human form.Written by
Steven Dretzke <stevend@unicomp.net>
The escalator in Delancey Street subway station is shown as dismantled for maintenance because the scene was filmed on a Toronto subway station platform that was closed in 1966, so its escalator was removed (See also Thrill Seekers (1999)). See more »
Goofs
When Susan (Mira Sorvino) takes her pregnancy test, she and Peter (Jeremy Northam) move around and shake the test. This often results in false readings. See more »
Quotes
Susan Tyler:
When I increased the Judas's metabolism, I must have sped up its breeding cycle. I mean, we're talking tens, hundreds of thousands of generations, who knows how many mutations...
Peter Mann:
I don't get it, I just don't fucking get this. How could the Judas evolve into this?
Susan Tyler:
Think generations, not years, okay. It took only 40,000 generations for apes to turn into humans.
Peter Mann:
So?
Susan Tyler:
We changed its DNA, Peter! I mean, we don't know what we did!
See more »
Alternate Versions
Guillermo del Toro released a director's cut in 2011. It runs for 112 minutes. See more »
I must confess I'm not a big fan of these type of movies, but since Mira Sorvino was in it, and John Sayles and Steven Soderburgh both worked on the script, I thought I'd give it a shot. This was actually pretty good, because they paid attention to the science without becoming clinical about it, and it was more interesting and credible than I expected (then again, science was never my subject). The second half of the movie is pretty much a chase movie, but that's well done for the most part, though Charles S. Dutton wears out his welcome pretty quickly in a thankless role. Sorvino is as good as I expected.
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I must confess I'm not a big fan of these type of movies, but since Mira Sorvino was in it, and John Sayles and Steven Soderburgh both worked on the script, I thought I'd give it a shot. This was actually pretty good, because they paid attention to the science without becoming clinical about it, and it was more interesting and credible than I expected (then again, science was never my subject). The second half of the movie is pretty much a chase movie, but that's well done for the most part, though Charles S. Dutton wears out his welcome pretty quickly in a thankless role. Sorvino is as good as I expected.