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Midnight in the Garden of Good and Evil (1997)

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A visiting city reporter's assignment suddenly revolves around the murder trial of a local millionaire, whom he befriends.

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1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Chablis Deveau (as The Lady Chablis)
Dorothy Loudon ...
Serena Dawes
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Margaret Williams
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Betty Harty
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Luther Driggers
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Henry Skerridge
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Detective Boone
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Finley Largent
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Storyline

This panoramic tale of Savannah's eccentricities focuses on a murder and the subsequent trial of Jim Williams: self made man, art collector, antiques dealer, bon vivant and semi-closeted homosexual. John Kelso a magazine reporter finds himself in Savannah amid the beautiful architecture and odd doings to write a feature on one of William's famous Christmas parties. He is intrigued by Williams from the start, but his curiosity is piqued when he meets Jim's violent, young and sexy lover, Billy. Later that night, Billy is dead, and Kelso stays on to cover the murder trial. Along the way he encounters the irrepressible Lady Chablis, a drag queen commedienne, Sonny Seiler, lawyer to Williams, whose famous dog UGA is the official mascot of the Georgia Bulldogs, an odd man who keeps flies attached to mini leashes on his lapels and threatens daily to poison the water supply, the Married Ladies Card Club, and Minerva, a spiritualist. Between being Jim's buddy, cuddling up to a torch singer, ... Written by Teresa B. O'Donnell <sun.moon.stars@worldnet.att.net>

Plot Summary | Add Synopsis

Taglines:

Welcome to Savannah, Georgia. A City Of Hot Nights And Cold Blooded Murder.


Motion Picture Rating (MPAA)

Rated R for language and brief violence | See all certifications »
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Details

Country:

Language:

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Release Date:

21 November 1997 (USA)  »

Also Known As:

Medianoche en el jardín del bien y del mal  »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$5,233,658, 23 November 1997, Wide Release

Gross USA:

$25,078,937, 15 February 1998
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Despite the fact that this was filmed in the standard spherical format, "Filmed in Panavision" is listed in the end credits. See more »

Goofs

When John steps off the tour bus at Forsyth Park, he walks south through the park in the opposite direction of Mercer House, where he is shown in the next scene. See more »

Quotes

[first lines]
Minerva: Quit eye balling me, Flavius. I knew you when you was a two bit hustler on Bull Street.
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Crazy Credits

Closing disclaimer: This film is based upon John Berendt's book "MIDNIGHT IN THE GARDEN OF GOOD AND EVIL". Dialogue and certain events and characters contained in the film were created for the purposes of dramatization. See more »


Soundtracks

P.S. I Love You
Written by Johnny Mercer and Gordon Jenkins
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User Reviews

 
Spacey rocks. Think of it as an art-house film.
24 October 2000 | by See all my reviews

I haven't read the book. Might have hated the film if I had. But I liked it. I did read some reviews before viewing the film, and I was prepared to dislike it. A lot of the criticism has some validity. The movie isn't really a linear type of murder mystery. It's partly that and partly a quirky travelogue of Savannah. The Lady Chablis character gets way too much screen time, apparently because Eastwood thinks that it will entertain us. It does, but only to a point. However, this is a different sort of movie, so I understand why Eastwood includes so much of Chablis, and the voodoo woman, and the fly guy. Also, John Cusack plays it with the same dead-fish expressionlessness that he brings to most of his roles. This isn't really bad, it's just that he's always the same.

I had never seen one of Kevin Spacey's films before, and I am impressed at how he really nailed the role. I thought his performance made this film.

A word or two about the accents. Most non-Southern actors really murder Southern accents. I'm from Texas, not the Georgia coast, but I thought Spacey hit the accent just right all the way through. It was always there, but was never the focus. (Streepian in its apparent effortlessness) Jack Thompson did his accent very well, also, particularly since I understand that he's an Aussie. Some other cast members didn't do well with the Southern accent, like Alison Eastwood. She overdid it. It seemed strained. And oh, yeah, Cusack sounds like an accentless Californian rather than a New Yorker.

Overall, I guess I've written a lot more criticism than praise, but that wasn't my intent. This was a good movie. Think of it more as an art-house film rather than a mass-market picture, and you might have more realistic expectations.


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