Humberto Fuentes is a wealthy doctor whose wife has recently died. In spite of the advice of his children, he takes a trip to visit his former students who now work in impoverished villages...
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1950. Rural Alabama. Cotton harvest. It's a make-or-break weekend for the Honeydripper Lounge and its owner, piano player Tyrone "Pine Top" Purvis. Deep in debt to the liquor man, the ... See full summary »
Seven former college friends, along with a few new friends, gather for a weekend reunion at a summer house in New Hampshire to reminisce about the good old days, when they got arrested on the way to a protest in Washington, DC.
Humberto Fuentes is a wealthy doctor whose wife has recently died. In spite of the advice of his children, he takes a trip to visit his former students who now work in impoverished villages. His trip soon becomes a quest, politically awakening him when he finds out that one of his students was killed by the army.Written by
Dreamlike, mythological, multilayered and almost mystical on the one hand, and on the other hand, vividly conveying the reality of Guatemala in the 1980s (which is what the film's story is mostly based on, though it draws in part from the present-day situation in Mexico's southernmost state of Chiapas, where it was mostly filmed; I think that the Indian language we were hearing was Tzotzil Maya). This film is as understated as its blunt, simple title (by the way, all violence happens offscreen). And yet it is so multilayered that I am still trying to absorb its many levels. It is a "road movie," and it is a profound spiritual odyssey for the main character; it is a suspenseful and unpredictable thriller full of unexpected twists, and it is mythic... in fact, we gradually come to realize that the entire story is being told, like a traditional myth, by a Mayan mother to her little girl. A beautiful example of the Latin American "magical realism" style. This film gets an unhesitating score of 10 from me... in fact, I think I may consider this film among my lifetime top ten movies.
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