Based off of the comic book. Unbeknownst to other people, there is a private agency code named MiB. This agency is some kind of extra terrestrial surveillance corporation. Then, one of the agency's finest men only going by the name "K" (Tommy Lee Jones) , is recruiting for a new addition to the agency. He has chosen James Edwards (Will Smith) of the N.Y.P.D. Then, one day, a flying saucer crashes into Earth. This was an alien a part of the "Bug" race. He takes the body of a farmer (Vincent D'Onofrio) and heads to New York. He is searching for a super energy source called "The Galaxy". Now, Agents J and K must stop the bug before it can escape with the galaxy.Written by
The animals and aliens used in this film were in no way mistreated and all scenes in which they appeared were under strict supervision with the utmost concern for their handling. See more »
The UK PG-rated cinema version - as well as nearly all subsequent releases - have been cut by the BBFC to remove the two uses of the word "prick". The offending words were over-dubbed with the words "jerk" and "twerp".
The uncut version was finally passed by the BBFC in 2017. It was rated 12 for "moderate bad language" and released on 4K UHD. See more »
MEN IN BLACK (1997) ***1/2 Tommy Lee Jones, Will Smith, Linda Fiorentino, Vincent D'Onofrio, Rip Torn, Tony Shalhoub, Siobahn Fallon. Giddily hilarious sci-fi comedy: think a 90s "Ghostbusters" meets the "X-Files": hard-as-nails, deadpan Jones (a great master straight man) is one of many secret agents of MIB (Men In Black) recruiting steetsmart, mouthy Smith (a great wiseass) to team up and stop an intergalactic alien bug (in rotting human form D'Onofrio who gives a brilliant, funny turn) from wiping out the Earth and all mankind. Incredible out there special effects from ILM and ingenious aliens from self-professed "Monster Maker" makeup guru Rick Baker. Hip, clever dialogue and fine chemistry from the odd couple gives this comic book adaptation of Lowell Cunningham a glossy work over including Bo Welch's inventive production design and Danny Elfman's atmospheric score. Fluid direction by Barry Sonnefield.
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