Bill Parrish, media tycoon, loving father and still a human being, is about to celebrate his 65th birthday. One morning, he is contacted by the Inevitable - by hallucination, as he thinks. Later, Death itself enters his home and his life, personified in a man's body: Joe Black has arrived. His intention was to take Bill with him, but accidentally, Joe's former host and Bill's beautiful daughter Susan have already met. Joe begins to develop certain interest in life on earth as well as in Susan, who has no clue who she's flirting with.Written by
Julian Reischl <firstname.lastname@example.org>
Loosely based on Death Takes A Holiday (1934). See more »
The amount of ice in Bill's scotch glass varies from shot to shot when the family is having drinks. See more »
Please. Please. Don't worry. Don't worry.
It's utter chaos around here. And I'm terrified we're running out of time. Am I trying to be too perfect?
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TV version shortens the scene when Joe is hit by the cars. See more »
Whenever this film is aired, I'm drawn to watch it. The pace, like life, is slow. Some people find this to be a problem. I feel sorry for those people; maybe they've been so saturated by "fast food" films and reality TV that they think that's the way life is supposed to be. Unlike life, the film has no "wasted space". So, while it may seem too long for theatre viewing, it's plenty short for sitting back in an easy chair for three hours and just letting it draw you in--with the excellent dialogue (including the Patois), excellent performances by truly talented actors, and above all the [again] excellent score by Mr. Newman. If you're a romantic not just about love, but also about life, then treat yourself and watch it.
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