After a prank goes disastrously wrong, a group of boys are sent to a detention center where they are brutalized. Thirteen years later, an unexpected random encounter with a former guard gives them a chance for revenge.
William Parrish (Sir Anthony Hopkins), media tycoon, loving father, and still a human being, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in a man's body: Joe Black (Brad Pitt) has arrived. His intention was to take William with him, but accidentally, Joe's former host and William's beautiful daughter Susan (Claire Forlani) have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.Written by
Julian Reischl <email@example.com>
When Death (Brad Pitt) is standing behind the glass in William's (Sir Anthony Hopkins') library upon their first meeting, the body is obscured. However, when Death stands closer to the window, the outline in the window forms a skull. This is the first indication of who the mysterious person is. See more »
The exterior shots of the helicopter are of a Sikorsky S-76. However, the interior shots are of a larger helicopter, possibly something equivalent to a Sikorsky S-92 (the executive model S-76 typically has only 2 rows of rear seats that face each other). See more »
Please. Please. Don't worry. Don't worry.
It's utter chaos around here. And I'm terrified we're running out of time. Am I trying to be too perfect?
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TV version shortens the scene when Joe is hit by the cars. See more »
Whenever this film is aired, I'm drawn to watch it. The pace, like life, is slow. Some people find this to be a problem. I feel sorry for those people; maybe they've been so saturated by "fast food" films and reality TV that they think that's the way life is supposed to be. Unlike life, the film has no "wasted space". So, while it may seem too long for theatre viewing, it's plenty short for sitting back in an easy chair for three hours and just letting it draw you in--with the excellent dialogue (including the Patois), excellent performances by truly talented actors, and above all the [again] excellent score by Mr. Newman. If you're a romantic not just about love, but also about life, then treat yourself and watch it.
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