Shortly before the WW II, Ella Gericke takes on the identity of her husband Max after his death to work instead of him in the factory. She continues to be Max until she herself doesn't even... See full summary »
Two men become entangled in a torrid love affair with the same woman. Pierre is Miriam's longtime lover. John is desperately searching for clues about his past when he and Miriam have a ... See full summary »
A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the ... See full summary »
In this Derek Jarman version of Christopher Marlowe's Elizabethan drama, in modern costumes and settings, Plantagenet king Edward II hands the power-craving nobility the perfect excuse by ... See full summary »
Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea ... See full summary »
Jeffrey, a young gay man in New York, decides that sex is too much and decides to become celibate. He immediately meets the man of his dreams and must decide whether or not love is worth ... See full summary »
Michael T. Weiss,
In the 1960s, British painter Francis Bacon (1909-1992) surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, 30 years Bacon's junior, accepts. Bacon finds Dyer's amorality and innocence attractive, introducing him to his Soho pals. In their sex life, Dyer dominates, Bacon is the masochist. Dyer's bouts with depression, his drinking and pill popping, and his satanic nightmares strain the relationship, as does his pain with Bacon's casual infidelities. Bacon paints, talks with wit, and, as Dyer spins out of control, begins to find him tiresome. Could Bacon care less?Written by
In all the motor accidents I've seen, people strewn across the road, the first thing you think of is the strange beauty, the vision of it, before you think of trying to do anything. It's to do with the unusualness of it. I once saw a bad car accident on the large road, and the bodies were strewn about with broken glass from the car and the blood and the various possessions, and it was, in fact, very beautiful. I think the beauty in it is terribly elusive, but it just happened to be the ...
See more »
The idea of falling is important in this story.George Dyer(play with perfection by Dani Greig)thought that he would be saved by Bacon but the painter only changed Dyer's physical falling into another more interior and destructive.We can see in different scenes(and forms) "The falling" ,to the long fall of Dyer during the title sequence until his own intention to jump from a flatroof and later through nightmarish like image who also got to do with a fall (to emptiness). Love is The devil shows how Bacon creates his paintings using Dyer(what a great name it sounds `Dying') as a MUSE and we can also see the bohemian circle of Bacon's drunk friends in which the painter is the nastiest(The great Tilda Swinton appears here as the owner of `Colony room' this place somewhere in SOHO)once again we are witness of DYER fall to alcohol ,drugs and an abusive relationship with Bacon who culminates,as everybody knows, in Dyer's suicide(his last fall at least).The most outstanding aspect of the film(besides this tormented love affair) is the photography and visual trick:the use of reflection is one of the main devices used by the director Maybury to allude to Bacon's paintings(there is a large roundmirror in the background that distorts the reflected image)Mirrors are used to repeat and layer images,resembling Bacon's use of the triptych.Water and shots through glasses and bottles distorts faces and forms(like Deneuve in Repulsion).I also loved the script,the philosophical approach(existencialism,)the wonderful actor Derek Jacobi, who plays Bacon has a perfect voice and the words he says sounds like aphorism.BUT besides S&M ,there's place to tenderness:the film opens with BACON grieving the death of his lover the scene is set in a bedroom BACON seats on the edge of the bed,his head buried in George pillow(where George laid his head suffering with nightmares)the scene is unique.
Dyer was a handsome man but he wasn't very sophisticated If he would had read POE,he would knew the existence of diabolical painters who are capable to transcribe in to their works the vital substance of their models.If he would knew the story of Faust he would be able to identify the devil in the cherubin aging face of Bacon,who was then already a fallen angel in his own personal hell.This is a little great film I recommend it.
15 of 20 people found this review helpful.
Was this review helpful to you?
| Report this