Shortly before the WW II, Ella Gericke takes on the identity of her husband Max after his death to work instead of him in the factory. She continues to be Max until she herself doesn't even... See full summary »
A dramatization, in modern theatrical style, of the life and thought of the Viennese-born, Cambridge-educated philosopher Ludwig Wittgenstein (1889-1951), whose principal interest was the ... See full summary »
Emmy Coer, a computer genius, devises a method of communicating with the past by tapping into undying information waves. She manages to reach the world of Ada Lovelace, founder of the idea ... See full summary »
Two men become entangled in a torrid love affair with the same woman. Pierre is Miriam's longtime lover. John is desperately searching for clues about his past when he and Miriam have a ... See full summary »
A dark comedy about a murder and its consequences presented in a backwards manner, where death is actually a rebirth. The film starts with an "execution" of the main protagonist and goes ... See full summary »
On a film set there are two things missing, the film material and the director. So the actors and actresses as well as the crew try to make the best out of the situation. When the director ... See full summary »
Rainer Werner Fassbinder
In the 1970s, aliens send a female android diplomat to Earth on a mission of peace. She lands in war-torn Palestine instead of MIT by mistake and meets a friendly UK journalist there. They begin a series of insightful conversations.
In the 1960s, British painter Francis Bacon (1909-1992) surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, thirty years younger than Bacon, accepts. Bacon finds Dyer's amorality and innocence attractive, introducing him to his Soho pals. In their sex life, Dyer dominates, Bacon is the masochist. Dyer's bouts with depression, his drinking, pill popping, and his Satanic nightmares strain the relationship, as does his pain with Bacon's casual infidelities. Bacon paints, talks with wit, and, as Dyer spins out of control, begins to find him tiresome. Could Bacon care less?Written by
Discussing how well DVD copies of this movie (about a gay British artist) were still selling in 2012, Sir Derek Jacobi commented, "that's because there are some scenes in which Daniel Craig is stark-bollock naked." See more »
There's a fleeting substance to reality. Ghostlike deposits. Sometimes, a man's shadow is more in the room than he is. The void which spreads across his face as he daydreams is the void of death.
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Never quite rises above the callousness of its subject
Francis Bacon was one of the most acclaimed artists of his generation, and Derek Jacobi is one of the finest actors of his, but even this combination can't make 'Love is the Devil', John Maybury's biopic of Bacon's life, especially interesting. The problem is that the film lacks a central point of sympathy: Bacon comes across as selfish and spoilt, while his hapless lover (the film's other central character) is too clearly out of his depth from the start, and never manages to become someone in whom one can invest any hopes. In terms of its overall feel, the film tries to reflect Bacon's artistic sensibility; in this it is partially successful, although the odd decision to fade to black between practically every scene grows tiresome. Unless you're a particular fan of Bacon, you can afford to miss this film: Stephen Frears' 'Prick Up Your Ears' (a biopic of Joe Orton) explores similar themes with more humanity.
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