7.0/10
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48 user 52 critic

Love and Death on Long Island (1997)

PG-13 | | Comedy, Drama | 6 March 1998 (USA)
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Giles De'Ath (Sir John Hurt) is a widower who doesn't like anything modern. He goes to movies and falls in love with movie star Ronnie Bostock (Jason Priestly). He then investigates ... See full summary »
4 wins & 4 nominations. See more awards »

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Director: Richard Kwietniowski
Stars: John Hurt
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Cast

Cast overview, first billed only:
John Hurt ... Giles De'Ath
Jason Priestley ... Ronnie Bostock
Fiona Loewi ... Audrey
Sheila Hancock ... Mrs. Barker
Harvey Atkin ... Lou
Maury Chaykin ... Irving Buckmuller
Gawn Grainger Gawn Grainger ... Henry
Elizabeth Quinn Elizabeth Quinn ... Mrs. Reed
Linda Busby Linda Busby ... Mrs. Abbott
Bill Leadbitter Bill Leadbitter ... Eldridge
Anne Reid ... Maureen (as Ann Reid)
Danny Webb ... Video Assistant (as Daniel Webb)
Andrew Barrow Andrew Barrow ... Harry
Dean Gatiss Dean Gatiss ... Rob (as Dean Gariss)
Robert McKewley Robert McKewley ... Video Salesman
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Storyline

Giles De'Ath (Sir John Hurt) is a widower who doesn't like anything modern. He goes to movies and falls in love with movie star Ronnie Bostock (Jason Priestly). He then investigates everything about the movie and Ronnie. After that, he travels to Long Island City, where Ronnie lives, and meets him, pretending that Ronnie is a great actor, and that's why Giles admires him.

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for brief strong language, thematic elements and some sexual content | See all certifications »
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Details

Country:

UK | Canada

Language:

English

Release Date:

6 March 1998 (USA) See more »

Also Known As:

Amour et mort à Long Island See more »

Filming Locations:

Bedford, Nova Scotia, Canada See more »

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Box Office

Opening Weekend:

£62,191 (United Kingdom), 5 July 1998, Limited Release

Opening Weekend USA:

$78,151, 8 March 1998, Limited Release

Gross USA:

$2,542,264, 7 June 1998
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Goofs

When Giles lands at the airport in New York and drives thru the city all the trees are in full leaf as they would be in summer yet when he takes a cab to the motel on Long Island here are no leaves on the trees and it is obvious it is a different season. See more »

Quotes

[first lines]
Giles De'Ath: It is so difficult to know where I should begin, especially when, unlike you, I already know the ending. But let us say that this story began with end of another.
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Connections

References Catchfire (1990) See more »

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User Reviews

Has John Hurt ever been better?
11 August 2002 | by azeemakSee all my reviews

John Hurt is a great actor, and his performance in this film shows just how great. There have been plenty of reviews here that detail the plot and the essential characteristics of Giles De'Ath. What struck me even more on seeing the film a second time is what an extraordinary balancing act Hurt pulls off. De'Ath could so easily have been a caricature, a bumbling old fogey; Hurt shows that, while he is indeed out of touch, he is also highly intelligent and unapologetic about his fusty ways - and he also has the imagination to broaden his horizons. There were some lovely scenes showing other people's amused reactions to his naivety about modern ways, particularly those with his agent.

I've never seen Jason Priestley in anything else (hey, does that mean I'm like De'Ath, an old fuddy-duddy?), but he certainly holds his own in the face of an acting titan, just as Brendan Fraser did in Gods & Monsters - and yes, there are a LOT of similarities between the two films. And I really enjoyed Fiona Loewi's performance as his girlfriend - what else has she done? The smaller roles were extremely well cast (as others have noted, Maury Chaykin is a treat), even De'Ath's sister-in-law, who is only in one brief scene, but conveys a lot about how highbrow and inaccessible his novels are considered to be.

I'm also not the only one who has noticed echoes of Death in Venice, not only in the title and the storyline, but also, I'll swear at one point there was a Mahler symphony playing on the soundtrack - was that another nod? Then there is the artistic convention of the older mentor and the younger muse, which is explicitly raised in the film. There are a lot of interesting ideas about the nature of love, and about how even the most set in their ways can suddenly find a new lease of life.

This is a film that rewards more than one viewing. See it if only for a truly majestic performance from John Hurt, a masterclass in subtlety, defiance and thwarted passion.


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