Giles De'Ath is a widower who doesn't like anything modern. He goes to movies and falls in love with film star Ronnie Bostock. He then investigates everything about the movie and Ronnie. ...
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This film is the story of the spectacular life and violent death of British playwright Joe Orton. In his teens, Orton is befriended by the older, more reserved Kenneth Halliwell, and while ... See full summary »
Sir Paul, a distinguished author, blinded in a horrific accident, advertises for an amanuensis, an assistant to help him with his writing. He employs the amiable Jane Ryder to be his eyes ... See full summary »
Father Jack is imprisoned for a crime that he has committed. The inmates suspect him of paedophilia and begin to persuade his teenage cellmate of this. His true crime is confessed to a prison guard with whom Jack has fallen in love.
Giles De'Ath is a widower who doesn't like anything modern. He goes to movies and falls in love with film star Ronnie Bostock. He then investigates everything about the movie and Ronnie. After that he travels to Long Island City, where Ronnie lives, and meets him, pretending that Ronnie is a great actor, and that's why Giles admires him.
When Giles lands at the airport in New York and drives thru the city all the trees are in full leaf as they would be in summer yet when he takes a cab to the motel on Long Island here are no leaves on the trees and it is obvious it is a different season. See more »
It is so difficult to know where I should begin, especially when, unlike you, I already know the ending. But let us say that this story began with end of another.
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Locked out of his apartment, old-fashioned writer Giles De'Ath (John Hurt) almost reluctantly decides to take in a movie. Accidentally wandering in to see Hot Pants College II instead of the E.M. Forster adaptation for which he bought a ticket, the lonely man becomes transfixed by the sight of a hunky actor (Jason Priestley) and begins an obsession that makes for a thoroughly satisfying and entertaining story. First-time director Kwietniowski expertly observes the wildly disparate natures of these two men while keeping both of them entirely credible and believable. I particularly enjoyed Giles' compilation of Ronnie Bostock clippings from teeny-bopper magazines, carefully arranged and titled "Bostockiana" before being securely locked away in a desk drawer.
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