Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult. In front of others, Adèle grows, seeks herself, loses herself, and ultimately finds herself through love and loss.
In 1929 French Indochina, a French teenage girl embarks on a reckless and forbidden romance with a wealthy, older Chinese man, each knowing that knowledge of their affair will bring drastic consequences to each other.
Tony Ka Fai Leung,
In early adolescence, Humbert fell hopelessly and tragically in love with a girl his own age, and, as he grew into adulthood, he never lost his obsession with "nymphets," teenagers who walk a fine line between being a girl and a woman. While looking for a place to live after securing a new teaching position, he meets Charlotte Haze (Melanie Griffith), a pretentious and annoying woman who seems desperately lonely and is obviously attracted to Humbert. Humbert pays her little mind until he meets her 13-year-old daughter Lolita (Dominique Swain), the image of the girl that Humbert once loved. Humbert moves into the Haze home as a boarder and eventually marries Charlotte in order to be closer to Lolita. When Charlotte finds out about Humbert's attraction to her daughter, she flees the house in a rage, only to be killed in an auto accident. Without telling Lolita of her mother's fate, Humbert takes her on a cross-country auto trip, where their relationship begins to move beyond the ...
The movie should end in 1952, not 1950. Like the novel, the year is 1947 when Humbert meets Lolita, but the book states that both cross country trips and the time they spend at Beardsley amounts to about 2 years. The film has the same "3 years later" time jump as the novel, but there's no way from summer of 1947 to fall of 1950 could they have spent a year traveling the country, stayed in Beardsley for most of the school year, had another few months on a second cross country trip, and then have Humbert searching for Lolita for 3 years. See more »
She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks, she was Dolly at school. She was Dolores on the dotted line. But in my arms she was always - Lolita. Light of my life, fire of my loins. My sin. My soul.
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After the credits are over there is a brief clip where Lolita is shown juggling a red apple. See more »
The film was slightly cut to avoid a 'Not under 18' rating in Germany. An uncut version has been released on video. See more »
I believe this movie show what a man expects from a woman, that enigmatic feminity that turn him on making him a beast and a child in the same time. For me, this subject is a study of that transformation that makes from a boy a man. Humbert is still a boy but it tries desperately to became a man. That's why he puts all his hopes in Lolita; he hopes that he will grow up helped by her. Instead, Lolita is a normal teenager, without father, who instinctively puts Humbert in that empty place. Both, Humbert and Lolita have two incomplete evolutions -dead teenage girlfriend-dead father. At the first the bondage between them covered this emptiness from their lives, but Lolita continue to evolve becoming a woman and Humbert remains stocked in that boy.
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