Lolita (1997)

A man marries his landlady so he can take advantage of her daughter.

Director:

Adrian Lyne

Writers:

Vladimir Nabokov (novel), Stephen Schiff (screenplay)

Stars:

Jeremy Irons, Dominique Swain, Melanie Griffith

2 wins & 4 nominations.

Cast

Cast overview, first billed only:
Jeremy Irons	...	Humbert Humbert
Melanie Griffith	...	Charlotte Haze
Frank Langella	...	Clare Quilty
Dominique Swain	...	Dolores 'Lolita' Haze
Suzanne Shepherd	...	Miss Pratt
Keith Reddin	...	Reverend Rigger
Erin J. Dean	...	Mona
Joan Glover	...	Miss LaBone
Pat Pierre Perkins	...	Louise (as Pat P. Perkins)
Ed Grady	...	Dr. Melinik
Michael Goodwin	...	Mr. Beale
Angela Paton	...	Mrs. Holmes
Ben Silverstone	...	Young Humbert Humbert
Emma Griffiths Malin	...	Annabel Lee (as Emma Griffiths-Malin)
Ronald Pickup	...	Young Humbert's Father

Storyline

In early adolescence, Humbert fell hopelessly and tragically in love with a girl his own age, and, as he grew into adulthood, he never lost his obsession with "nymphets," teenagers who walk a fine line between being a girl and a woman. While looking for a place to live after securing a new teaching position, he meets Charlotte Haze (Melanie Griffith), a pretentious and annoying woman who seems desperately lonely and is obviously attracted to Humbert. Humbert pays her little mind until he meets her 13-year-old daughter Lolita (Dominique Swain), the image of the girl that Humbert once loved. Humbert moves into the Haze home as a boarder and eventually marries Charlotte in order to be closer to Lolita. When Charlotte finds out about Humbert's attraction to her daughter, she flees the house in a rage, only to be killed in an auto accident. Without telling Lolita of her mother's fate, Humbert takes her on a cross-country auto trip, where their relationship begins to move beyond the ...

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Plot Keywords:

14 year old | lolita | promiscuous daughter | foot fetish | forbidden love | 

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Taglines:

Forbidden, Provocative, Unforgettable.

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Genres:

Drama | Romance

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Motion Picture Rating (MPAA)

Rated R for aberrant sexuality, a strong scene of violence, nudity and some language

Details

Country:

USA France

Language:

English

Release Date:

25 September 1998 (USA)

Also Known As:

Лолита

Filming Locations:

New Orleans Athletic Club, New Orleans, Louisiana, USA

Box Office

Budget:

$62,000,000 (estimated)

Opening Weekend USA:

$19,492, 26 July 1998, Limited Release

Gross USA:

$1,400,000

Company Credits

Production Co:

Guild,Lolita Productions,Pathé

Technical Specs

Runtime:

137 min

Sound Mix:

Dolby Digital SDDS

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Over 2500 girls, including Christina Ricci and Melissa Joan Hart, tried out for the title role.

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Goofs

Reflected in the car window as the car rolls away.

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Quotes

[first lines]
Humbert: [voiceover] She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks, she was Dolly at school. She was Dolores on the dotted line. But in my arms she was always - Lolita. Light of my life, fire of my loins. My sin. My soul.
[whispered]
Humbert: Lolita.

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Crazy Credits

After the credits are over there is a brief clip where Lolita is shown juggling a red apple.

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Alternate Versions

Two scenes involving nudity from the body double were originally intended to be included as supplemental footage in the UK DVD release but were refused a certificate by the BBFC.

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Connections

Featured in The Directors: The Films of Adrian Lyne (2007)

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Soundtracks

Night On Bald Mountain
Written by Modest Mussorgsky
Arranged by Nikolai Rimsky-Korsakov
Performed by Orchestre de la Suisse Romande (as L'Orchestre de Suisse Romande)
Conducted by Ernest Ansermet

User Reviews

Why Lyne's Lolita is Controversial

When the 1997 version of Lolita was widely censored in the US, many asked why the reaction was so strong to this film. After all, the novel was published in the US in 1958, Kubrick's film version appeared in 1962, and we hear more shocking tales of sexual depravity every day on the daytime talk shows. But after seeing Lyne's brilliant version of Lolita, I can see how he manages to breathe fresh controversy into this familiar story. Lyne's lascivious lens eroticizes Lolita's every movement and pose. The viewer is forced to see her through the eyes of Humbert and to feel his obsession and desire. We are co-conspirators in his crime, and at the end we share his shame. Rather than shocking us (and having us pull away in revulsion), Lyne draws us in and makes us face the Humbert in ourselves. This is an incredibly powerful film.