Ace Ventura, Pet Detective, returns from a spiritual quest to investigate the disappearance of a rare white bat, the sacred animal of a tribe in Africa.
A lonely and mentally disturbed cable guy raised on television just wants a new friend, but his target, a designer, rejects him, with bad consequences.
Fletcher Reede, a fast talking attorney, habitual liar, and divorced father is an incredibly successful lawyer who has built his career by lying. He has a habit of giving precedence to his job and always breaking promises to be with his young son Max, but Fletcher lets Max down once too often, for missing his own son's birthday party. But until then at 8:15 Max has decided to make an honest man out of him as he wishes for one whole day his dad couldn't tell a lie. When the wish comes true all Fletcher can do is tell the truth and cannot tell one lie. Uh-oh for Fletcher!Written by
Anthony Pereyra <hypersonic91@yahoo.com>
It was the first movie after the roles in Ace Ventura: Pet Detective (1994), The Mask (1994), Dumb & Dumber (1994), Batman Forever (1995), Ace Ventura: When Nature Calls (1995), and The Cable Guy (1996), where Jim was happy to have his own hairstyle and not be in make-up. See more »
Goofs
When Fletcher encounters Miranda in the elevator, and flees through the stairwell, the false wall labeled "21st Floor Roof Access" visibly shakes as he bounces off it. See more »
Quotes
Fletcher:
Max! It's 8:45, you made the wish at 8:15. I've been able to lie for the past half hour.
Max Reede:
So you were - ?
Fletcher:
No! It was the truth. I just wanted to be honest with you, Max. I always want to be honest with you.
See more »
When aired on ABC, these changes were made: In the conference room, Fletcher's insult of "You couldn't get a porn star off" was altered to remove the word Off; the tape recording played in court of Samantha Cole and Mr. Falk was toned down; Fletcher saying "I'm such a shit" was changed to "I'm such a snot"; Fletcher's sentence of "I just proposed a settlement to dick with them" was altered to change dick to deal; At the repo lot when Fletcher complains about the scratch on his car, his last sentence of "I'm gonna bend over and take it up the tail pipe" was changed to "I'm gonna bend over and take it like a grown man!"; When Fletcher tries unsuccessfully to lie about a blue pen, his yelling of "The God damn pen is blue!" is removed. See more »
Liar Liar is about a boy who, after being stood up by his big-shot lawyer father one too many times, wishes that for just one day his dad couldn't lie. This wreaks havoc on his personal life and even more on his professional life as a lawyer who makes a living putting criminals back on the streets.
Carrey is immediately and constantly hilarious in his role as the unwillfully honest Fletcher Reede. Every scene is full of awkwardly straightforward behavior and dialogue ("Whatever takes the focus off your head!) that is funny because it is so unusual and unexpected. Maura Tierney delivers one of the best performances of her career (second only to her wonderful job in Primal Fear), but Cary Elwes plays a disappointing turn from his amazing job in The Princess Bride. Seeing him as the endlessly charming Wesley in that film and then seeing him as a squirrely step-father type in Liar Liar just didn't seem to fit, but the film was able to overcome such small problems and present itself as a good and entertaining comedy.
In addition to the good comedy that Liar Liar presented, there were strange comedic scenes that Carrey had never done before. For example, I have never seen him portray a descent into madness as was shown with the blue pen, and it should be noted how well this funny man played the part of a man trying very hard not to be funny, with hilarious results. This is a bit like his role in Man on the Moon where he was a comedian playing a comedian who was often deliberately not funny, and the results there were hilarious as well. Jim Carrey's great comedy acting skills were a crucial element of this film, but they are not the only redeeming value of the movie itself. The story is solid and legitimate as well, and it is well-presented and directed, resulting in a good, fun comedy.
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Liar Liar is about a boy who, after being stood up by his big-shot lawyer father one too many times, wishes that for just one day his dad couldn't lie. This wreaks havoc on his personal life and even more on his professional life as a lawyer who makes a living putting criminals back on the streets.
Carrey is immediately and constantly hilarious in his role as the unwillfully honest Fletcher Reede. Every scene is full of awkwardly straightforward behavior and dialogue ("Whatever takes the focus off your head!) that is funny because it is so unusual and unexpected. Maura Tierney delivers one of the best performances of her career (second only to her wonderful job in Primal Fear), but Cary Elwes plays a disappointing turn from his amazing job in The Princess Bride. Seeing him as the endlessly charming Wesley in that film and then seeing him as a squirrely step-father type in Liar Liar just didn't seem to fit, but the film was able to overcome such small problems and present itself as a good and entertaining comedy.
In addition to the good comedy that Liar Liar presented, there were strange comedic scenes that Carrey had never done before. For example, I have never seen him portray a descent into madness as was shown with the blue pen, and it should be noted how well this funny man played the part of a man trying very hard not to be funny, with hilarious results. This is a bit like his role in Man on the Moon where he was a comedian playing a comedian who was often deliberately not funny, and the results there were hilarious as well. Jim Carrey's great comedy acting skills were a crucial element of this film, but they are not the only redeeming value of the movie itself. The story is solid and legitimate as well, and it is well-presented and directed, resulting in a good, fun comedy.