While escaping from Nazis during the WWII, a Jewish man dug suitcases full of things dear to his heart in the ground two. The war deprived him of his family, and afterwards he endlessly turns over the soil of Antwerp to find the suitcases, which makes him look obsessed. He keeps checking old maps and keeps digging, trying to find, in fact, those he lost. His daughter Chaya is a beautiful modern girl looking for a part-time job. She finds a place as a nanny in the strictly observant Chassidic family with many children, although her secular manners clearly fly in the face of many commandments. One of the reasons she is accepted is that mother of the family is absolutely overburdened by the household, so she stays despite the resistance of the father, normally - an indisputable authority in the family. She develops a special bond with the youngest of the boys, four-year old Simcha, so far incapable of speaking. She teaches him while walking in the park, and it seems that during the ... Written by
Yan Mazor & M.Ivanov
First-time director Jeroen Krabbé admitted that he very insecure about the movie. When he got a call from composer Henny Vrienten, he was convinced that Vrienten didn't like the first footage shot for the film, and wanted out. However, Vrienten had loved what he saw, and got so inspired that he called to demonstrate some of the score he had written for it. See more »
This film has a most unusual setting, the Chassidic community of Antwerp, Belgium. The protagonist is a young Jewish (but non-observant) woman, who gets a job taking care of the children of a Chassidic family, and has a humanising effect on all, of them, including the imposing and forbidding father, albeit with an unfortunate side effect.
The film's title refers to a sub-plot, in which the protagonist's father digs holes in various spots around Antwerp, seeking for some trunks of personal effects he buried while fleeing from the Nazis.
After the film was over, I realized a few flaws in the plot (Unlike one of your other reviewers, I did not find the nude swimming scene unpleasant at all. It serves nicely to contrast the protagonist's lack of inhibition with the sexual prudery of the Chassidim.). For one thing, the concierge of the building in which the Chassidic family lives is an anti-Semite, who constantly harasses the family. He denies them access to the elevator, blocks the stairs and even injures one of the children. Yet nobody thinks of complaining the the building's owner about him.
Also, the name of the protagonist is Chaya. Yet it never occurs to her best friend, until it comes up in conversation, that she might be Jewish.
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