Al Fountain, a middle-aged electrical engineer, is on the verge of a mid-life crisis, when he decides to take his time coming home from a business trip, rents a car, and heads out looking ... See full summary »
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When petty thief Cosimo is given the plan for the perfect heist from a lifer in prison - the kind of job you dream about - he has to get out of jail, fast. But with Cosimo stuck in the ... See full summary »
William H. Macy
In 1962, a prepubescent boy in rural Australia watches painfully as his best friend and first love, an older girl, blossoms into womanhood and falls for a thuggish rugby player, setting off... See full summary »
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Newly arrived in an up-market housing development, quiet ten-year-old Devon doesn't quite fit in. Ignoring the urgings of her social-climbing father, Devon chooses the company of Trent, who mows the estate's lawns, rather than of the girls her own age. Their friendship grows during her visits to his trailer home, but although it is completely innocent it is obvious that it would be unacceptable to the residents if they found out.Written by
Jeremy Perkins <firstname.lastname@example.org>
Devon refers to Baba Yaga as "he" several times and describes the character as having chicken legs, however, in Russian fairy tales/folklore Baba Yaga is an old woman and gets around by flying in a mortar and pestle, it is her house that runs about on chicken legs. See more »
Once upon a time, in a far off land, lived a girl and her mother and father. Their village was surrounded by a high wall. Outside the wall was the forest, home of Baba Yaga, the witch. Baba Yaga had iron teeth like three trees. His legs were like chicken legs, and he ate little girls for dinner. But inside the wall we were safe.
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A Thousand Miles From Nowhere
Performed by Dwight Yoakam
Courtesy of Reprise Records
By Arrangement with Warner Special Products/Warner Music UK Ltd.
Written by Dwight Yoakam
Copyright Dust West Music/Warner-Tamerlane Publishing Corp.
Used by permission of Warner/Chappell Music Ltd. See more »
This superb film, directed by John Duigan, the gifted director of THE YEAR MY VOICE BROKE, is about a friendship between a young girl (Mischa Barton of "The OC") and a free-spirited young, adult man (Sam Rockwell).
It's self-aware enough to acknowledge the inherent sensitivity of its subject matter, but it doesn't cave into conservative conclusions about how such a relationship ought to be portrayed.
At heart, LAWN DOGS is about trust, not the death of innocence or the festering political correctness all around us that sees danger in every unconventional relationship. It does touch on the subject of sexual abuse, but it doesn't come at it from the angle you'd suspect...and that's the whole point, isn't it? Sexual abuse, for the most part, usually visits as someone you've known well enough to trust completely.
Beyond its politics, this is a unique, bracing fantasy that is more European than American (or Australian) in its view world both morally and visually. The climax is an unexpected treat and its moral resolution arrives just in the nick of time.
Sumptuously photographed and written with great intelligence by Naomi Wallace, it dares to be erotic, provoking, unconventional and incisive.
Don't pass it up if you get an offer.
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