The film tells the story of Russian émigré, and the only survivor from ship crash Yanko Goorall, and servant Amy Foster in the end of nineteenth century. When Yanko enters a farm, sick and ... See full summary »
When "American Psycho" was released early in 2000 it reaffirmed author Bret Easton Ellis as the controversial "bad boy" of contemporary American Fiction. "This is Not an Exit" reveals the world inhabited by Ellis. In HD.
A chance meeting with a Schlecht agent forces a humble coffee shop manager into the secret world of spies in Swinging London. With the help of his MI5 friend, he poses as the recently dead ... See full summary »
Romantic comedy set during the European football championships in 1996, where football fan Martin finds his life is going from bad to worse after losing his job and splitting up with his ... See full summary »
John Gordon Sinclair
Max is gay and as such is sent to Dachau concentration camp under the Nazi regime. He tries to deny he is gay, and gets a yellow label (the one for Jews) instead of pink (the one for gays).... See full summary »
During World War II, the organisation "The Women's Land Army" recruited women to work on British farms while the men were off to war. Three such "land girls" of different social backgrounds - quiet Stella, young hairdresser Prue, and Cambridge graduate Ag - become best friends in spite of their different backgrounds.Written by
The Reverend Alan Bennett, seen conducting the christening near the end of the film, is the actual Rector of the church where the scene was filmed. See more »
When the land girls watch the bombing of Southampton from several miles away, the flashes and sounds of the explosions are simultaneous. In reality, due to differences of speed, the sounds would arrive approximately 5 seconds later for every mile of separation. See more »
Another very good example of an understated British flick being elevated by a strong cast into something worth notice. In a refreshing take on the WWII drama, the focus is on the ones who stayed behind in the war-torn south of England, like the farmers to feed the impoverished nation; the women to keep the factories running and, as in "The Land Girls", to work the land in place of the absent men.
Stephen Mackintosh, my favourite underrated Brit actor, gives the film's best performance as Joe, the farmer's son who wishes he was anywhere but home, but he's well supported by Catherine McCormack, Rachel Weisz and Anna Friel as the unfeasibly but mercifully smouldering girls of the Women's Land Army. Tom Georgeson brings gruff character as Mr Lawrence, the farmer, and check out an early Paul Bettany appearance.
Thousands of women found a new freedom in work during the War, but they were expected to return to their domestic, invisible lives once the men returned. "The Land Girls" is not cinema verité; and doesn't pretend to tackle the grimness my mother talks of in England in the 40s and 50s. But who cares? – when I want grim I'll watch a documentary; I'll settle back happily any day to watch fine actors in a quiet, 'little' film with gorgeous Dorset scenery (it really is that beautiful, visit if you can) and a tender story.
It will be too slow, too uneventful, for some. Perhaps they'd have preferred a blowsy Hollywood version, where Antonio Banderas plays the farmer's son and Renee Zellwegger the upper crust beauty (hooray for the ghost of a UK film industry). But I found it gentle and charming just as it was; and when the ingredients are so fine to begin with, that's good enough for me. If you like this sort of thing I recommend Powell & Pressburger's magical "Canterbury Tale".
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