A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
1950's Los Angeles is the seedy backdrop for this intricate noir-ish tale of police corruption and Hollywood sleaze. Three very different cops are all after the truth, each in their own style: Ed Exley, the golden boy of the police force, willing to do almost anything to get ahead, except sell out; Bud White, ready to break the rules to seek justice, but barely able to keep his raging violence under control; and Jack Vincennes, always looking for celebrity and a quick buck until his conscience drives him to join Exley and White down the one-way path to find the truth behind the dark world of L.A. crime.Written by
Greg Bole <firstname.lastname@example.org>
This was voted as the best film set in Los Angeles in the last 25 years by a group of Los Angeles Times writers and editors with two criteria: "The movie had to communicate some inherent truth about the L.A. experience, and only one film per director was allowed on the list." See more »
As Jack is entering the hotel room to find Matt Reynolds dead on the floor, "How Important Can It Be?" by Joni James is playing, which didn't come out until 1955. The movie is set in 1953. See more »
Come to Los Angeles! The sun shines bright, the beaches are wide and inviting, and the orange groves stretch as far as the eye can see. There are jobs aplenty, and land is cheap. Every working man can have his own house, and inside every house, a happy, all-American family. You can have all this, and who knows... you could even be discovered, become a movie star... or at least see one. Life is good in Los Angeles... it's paradise on Earth." Ha ha ha ha. That's what they ...
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At the end of all the credits, there is a brief scene from "Badge of Honor" featuring a onscreen dedication in honor of Sgt. Jack Vincennes (Kevin Spacey), who within the film had served as the "Hollywood cop" and advisor to the film. The scene shows a black-and-white closing moment of "Badge of Honor" with the credits inscribed as "Dedicated to Sgt. Jack Vincennes," as Badge of Honor actor (Matt McCoy) closes the door on the HOMICIDE office and walks sorrowfully away. See more »
Look for the Silver Lining
Music by Jerome Kern
Lyrics by Buddy G. DeSylva (as Bud DeSylva)
Performed by Chet Baker
Courtesy of Blue Note Records, a division of Capitol Records, Inc.
Under license from EMI-Capitol Special Markets See more »
L.A. Confidential is, without a doubt, the best film of the 1990s, and quite possibly one of the best films ever made.
As with any great film, it all starts with the writing. The story is riveting, the dialogue is smart and quite funny, and the characters are written in three dimensions.
The acting is phenomenal. Perhaps a bigger tragedy than L.A. Confidential's loss to Titanic in the Best Picture race is that none of the three lead actors even garnered nominations. Russell Crowe, Guy Pearce, and Kevin Spacey are absolutely phenomenal; it is their characters that drive this fascinating story about police corruption in 1950s Los Angeles. We get to know these people, to understand who they are and why they do what they do, and to root for them to overcome their imperfections.
The directing is fantastic. Curtis Hanson doesn't shove anything in the audience's face; instead, he allows the audience to discover the film's nuances on their own. (That makes this an excellent film for repeat viewings, you truly catch something new every time). 1950s Los Angeles is reproduced beautifully. The editing is quick and seamless, the music is perfect for the film (Hanson should teach other directors how to do a montage effectively), and the cinematography is great.
I can't find a negative thing to say about this film. It's truly a masterpiece.
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