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L.A. Confidential (1997)

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As corruption grows in 1950s LA, three policemen - one strait-laced, one brutal, and one sleazy - investigate a series of murders with their own brand of justice.

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(novel), (screenplay) | 1 more credit »
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681 ( 42)
Top Rated Movies #107 | Won 2 Oscars. Another 86 wins & 82 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Jack Vincennes
... Bud White
... Ed Exley
... Dudley Smith
... Lynn Bracken
... Sid Hudgens
... Pierce Patchett
... D.A. Ellis Loew
... 'Badge of Honor' Star Brett Chase
... Mickey Cohen
... Johnny Stompanato
... Mickey Cohen's Mambo Partner
... Mickey Cohen's Mambo Partner
... Officer Arresting Mickey Cohen
... Dick Stensland
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Storyline

1950's Los Angeles is the seedy backdrop for this intricate noir-ish tale of police corruption and Hollywood sleaze. Three very different cops are all after the truth, each in their own style: Ed Exley, the golden boy of the police force, willing to do almost anything to get ahead, except sell out; Bud White, ready to break the rules to seek justice, but barely able to keep his raging violence under control; and Jack Vincennes, always looking for celebrity and a quick buck until his conscience drives him to join Exley and White down the one-way path to find the truth behind the dark world of L.A. crime. Written by Greg Bole <bole@life.bio.sunysb.edu>

Plot Summary | Plot Synopsis

Taglines:

Off the record, on the QT, and very hush-hush... See more »


Motion Picture Rating (MPAA)

Rated R for strong violence and language, and for sexuality | See all certifications »

Parents Guide:

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Details

Official Sites:

Official Facebook

Country:

Language:

Release Date:

19 September 1997 (USA)  »

Also Known As:

Los Ángeles al desnudo  »

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Box Office

Budget:

$35,000,000 (estimated)

Opening Weekend USA:

$5,211,198, 21 September 1997, Wide Release

Gross USA:

$64,616,940

Cumulative Worldwide Gross:

$126,216,940
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

A long time fan of James Ellroy's work, when Brian Helgeland heard that Warner Brothers had acquired the rights to L.A. Confidential in 1990, he lobbied hard to script the film. At the time, however, the studio was only interested in using established writers. See more »

Goofs

White leaves Lynn's house when it is raining. It is still raining when he fights with Exley in the records room, yet when they confront the District Attorney, it is clear outside with scant evidence of rain having fallen. However, these locations are far enough apart that this is possible. In addition, there are rain streaks and tire tracks that imply the rain had fallen there earlier. See more »

Quotes

[first lines]
Sid Hudgens: [voiceover] Come to Los Angeles! The sun shines bright, the beaches are wide and inviting, and the orange groves stretch as far as the eye can see. There are jobs aplenty, and land is cheap. Every working man can have his own house, and inside every house, a happy, all-American family. You can have all this, and who knows... you could even be discovered, become a movie star... or at least see one. Life is good in Los Angeles... it's paradise on Earth." Ha ha ha ha. That's what they ...
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Crazy Credits

At the end of all the credits, there is a brief scene from "Badge of Honor" featuring a onscreen dedication in honor of Sgt. Jack Vincennes (Kevin Spacey), who within the film had served as the "Hollywood cop" and advisor to the film. The scene shows a black-and-white closing moment of "Badge of Honor" with the credits inscribed as "Dedicated to Sgt. Jack Vincennes," as Badge of Honor actor (Matt McCoy) closes the door on the HOMICIDE office and walks sorrowfully away. See more »

Connections

Spoofs Dragnet (1951) See more »

Soundtracks

Silent Night
(1818)
Music by Franz Gruber
Lyrics by Joseph Mohr
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Frequently Asked Questions

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User Reviews

 
Will stand the test of time.........
3 August 1998 | by See all my reviews

When a film evokes an era as well as L.A. Confidential does, people take notice. It could be argued that it is easier to replicate the recent past than the distant on film, and in a sense this is true. Costumes, language, and the necessary absence of the modern in "period pieces" make them expensive and difficult to film. But couldn't it be argued that it is just as difficult to make a film about more recent periods? I have no knowledge of how a Victorian era table was set, or what a knight really spoke like; we are subject to the directors view of reality. But what if a good deal of your audience lived through the time you are portraying, as in the case of the 1950's? I can even envision my grandfather coming back from WW2 to a booming economy, and living in the world Curtis Hanson created.

The real genus of this film is that it creates not only a physical world, but one with all the politics, corruption, racism and inequity of the time. As a result we feel the characters motivations and understand their faults all the better; Bud White, Ed Exley, Lynn Bracken and Lana Turner all live here.

This film, like others that make us believe we are there for two hours (and $7.50), will endure. I was thinking a perfect double feature would be with Chinatown, another film that will stand the test of time.


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