Kundun (1997)

From childhood to adulthood, Tibet's fourteenth Dalai Lama deals with Chinese oppression and other problems.

Director:

Martin Scorsese

Writer:

Melissa Mathison

Stars:

Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin

Nominated for 4 Oscars. Another 7 wins & 8 nominations.

Cast

Cast overview, first billed only:
Tenzin Thuthob Tsarong	...	Dalai Lama (Adult)
Gyurme Tethong	...	Dalai Lama (Age 12)
Tulku Jamyang Kunga Tenzin	...	Dalai Lama (Age 5)
Tenzin Yeshi Paichang	...	Dalai Lama (Aged 2)
Tencho Gyalpo	...	Mother
Tenzin Topjar	...	Lobsang (5-10)
Tsewang Migyur Khangsar	...	Father
Tenzin Lodoe	...	Takster
Geshi Yeshi Gyatso	...	Lama of Sera
Losang Gyatso	...	The Messenger (as Lobsang Gyatso)
Sonam Phuntsok	...	Reting Rinpoche
Gyatso Lukhang	...	Lord Chamberlain
Lobsang Samten	...	Master of the Kitchen
Jigme Tsarong	...	Taktra Rimpoche (as Tsewang Jigme Tsarong)
Tenzin Trinley	...	Ling Rimpoche

Storyline

The Tibetans refer to the Dalai Lama as 'Kundun', which means 'The Presence'. He was forced to escape from his native home, Tibet, when communist China invaded and enforced an oppressive regime upon the peaceful nation of Tibet. The Dalai Lama escaped to India in 1959 and has been living in exile in Dharamsala ever since.

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Plot Keywords:

tibet | dalai lama | tibetan | slaughter | buddha | 

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Taglines:

The amazing story of the fourteenth Dalai Lama.

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Genres:

Biography | Drama | History | War

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Motion Picture Rating (MPAA)

Rated PG-13 for violent images

Details

Country:

USA Monaco

Language:

English Tibetan Mandarin

Release Date:

16 January 1998 (USA)

Also Known As:

Кундун

Filming Locations:

Ait Benhaddou, Morocco

Box Office

Budget:

$28,000,000 (estimated)

Opening Weekend USA:

$72,095, 28 December 1997, Limited Release

Gross USA:

$5,532,301, 29 March 1998

Company Credits

Production Co:

De Fina-Cappa,Dune Films,Refuge Productions Inc.

Technical Specs

Runtime:

134 min

Sound Mix:

Dolby Digital SDDS

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

According to In Search of Kundun with Martin Scorsese (1998), when Melissa Mathison first presented her agency with the script and they asked her who she had in mind as director, her first choice was Martin Scorsese. According to her, everyone was in disbelief he would consider the script let alone direct the film (Scorsese is a part of the "Movie Brats" group of filmmakers from the 1970's, which included friend and collaborator Steven Spielberg).

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Goofs

When the young boy is first being tested, he is presented with several pairs of objects to choose between. When it comes to choosing between two bowls, he picks up the bowl on the right and examines it. When he places the bowl back on the table, he has the bowl on the left in his hand.

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Quotes

Dalai Lama: Thus by the virtue that has collected through all that I have done may the pain of every living creature be completely cleared away.

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Crazy Credits

The Touchstone Pictures logo shown after the end credits is red.

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Connections

Referenced in The Truth About Dalai Lama (2015)

User Reviews

An opera

Tibet. The young boy who shall become the 14th Dailai Lama is discovered and trained. At an early age he has to deal with his country's invasion by the Chinese and is ultimately forced into exile.

Those expecting a Martin Scorsese film will be disappointed. This is not his typical kind of story and - fittingly - neither does it bear his typical direction. Using a cast of non-actors for the most part and opting for a more artful photographic style (kudos to DP Roger Deakins, veteran Coen collaborator, for his mesmerizing work here), Scorsese gives a truly spiritual film revolving around one of History's great tragedies. It is a feast of sights and sounds that succeeds in making Tibet alluring and makes for even more of a heartbreak for the viewer when this country is violated and destroyed. Perhaps as important as any other collaboration - if not more so - is the score by Philip Glass providing unusual but haunting melodies and depth.

Kundun is regarded by many as a misstep. It does wander a long way from the gangster territory and the familiar NYC surroundings Scorsese usually plays with. In truth, that such a comfortable veteran director might take such an artistic and financial risk is both surprising and inspiring. This will never gain the popularity of "Raging Bull" or "Goodfellas", because it speaks of a world that disappeared. Nevertheless, it might just be, with "Last Temptation of Christ", Scorsese's deepest and most important film.