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In Canton, Mississippi, a fearless young lawyer and his assistant defend a black man accused of murdering two white men who raped his 10-year-old daughter, inciting violent retribution and revenge from the Ku Klux Klan.
Samuel L. Jackson
Alex Cross, a Washington D.C. cop and forensic psychologist learns that his niece who is going to college in North Carolina is missing. So he goes there and learns that the police think she's among the victims of someone who kidnaps young girls and holds them captive and kills them who dubs himself Cassanova after the great lover. Later Kate, one of his victims, escapes and tries to help Cross find his niece. Written by
Denied a cinema release in Virginia, due to the unsolved murders of three girls in the area. It was deemed to be insensitive to the families involved to release the film in the affected communities. See more »
When Casanova is handcuffed to the stove and he pulls the gas line apart, the gas is shut off. See more »
Don't do it, Nick.
Let's talk about it, okay? You want to put the lighter down, Nick? Please?
She has to know.
She knows, Nick.
Then why don't you shoot me?
Ah, I don't think so. Muzzle flare, room full of gas, all that, you know? Look, Nick I'm gonna put the gun down. Look, see? There now. How's that? I want you to think about this, Nick. If you do this, no one will ever understand.
Oh, don't mindfuck me!
No, I'm not, Nick.
See, Kate? It's all about building rapport. You use the ...
[...] See more »
Detective Alex Cross is an experienced, astute forensic psychologist. He's brought in to aid in the investigation of a slippery criminal mastermind with a track record for abducting young women who are both beautiful and talented. The case becomes personal for Cross when one of the women abducted is his niece, and he enlists the aid of local doctor and former victim Kate McTiernan (Judd) who escaped from the same perpetrator and is the only living person who can identify him. Stylish, atmospheric, well-crafted thriller has a story that holds your interest, with some effective twists and strong performances from Freeman and Judd, but it all builds to a climax that doesn't quite payoff. Still, a respectable showing for all those involved. **½
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