A former assassin knwon as The Bride wakens from a four-year coma. The child she carried in her womb is gone. Now she must wreak vengeance on the team of assassins who betrayed her - a team she was once part of.
The middle-aged stewardess Jackie Brown smuggles money from Mexico to Los Angeles for the arms dealer Ordell Robbie. When she gets caught by the agents Ray Nicolet and Mark Dargus with ten thousand dollars and cocaine in her purse, they propose a deal to her to help them to arrest Ordell in exchange of her freedom. Meanwhile Ordell asks the 56-year-old Max Cherry, who runs a bail bond business, to release Jackie Brown with the intention of eliminating her. Jackie suspects of Ordell's intention and plots a complicated confidence game with Max to steal half a million dollars from Ordell. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The white 1980 Honda Civic which Jackie drives, is the same car Butch was driving when he knocked down Marsellus Wallace in Pulp Fiction (1994). See more »
A computer software store advertises 688 Hunter/Killer, not available until 1997. See more »
Girl at Security Gate:
Flight 710 to Cabo San Lucas, now boarding Gate 103, first class only. Flight 710, Cabo San Lucas, now boarding Gate 103. First class only.
Buenos dias. Welcome aboard. Welcome aboard.
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The menu/function/default voice (example: 'you have no new messages') on the telephone answering machine in Jackie Brown's bedroom is Quentin's. See more »
What a film! Amazing ensemble, serpentine plot, all based on an Elmore Leonard novel. I enjoyed the film when it first came out but I didn't appreciate its complexity and the caliber of its acting as I did when I saw it the other day.
A tired airline stewardess (Pam Grier as the eponymous character) sees a slim window through which she could escape to a more leisurely life. However, she will have to steal money from a nasty small-time arms dealer and convince the Feds she is trying to help them get the dealer. Can she make it work? On her side is bail bondsman Max Cherry (Robert Forster) who, we think, might want to squeeze out that window with her.
However, she has to outwit the venal Ordell Robbie (Sam Jackson) who we see is not the nicest guy in the world. Robbie is assisted by the dim-witted pothead ex-con Louis (Robert DeNiro) and his possibly-smarter-than-she-looks snow bunny Melanie (Bridge Fonda).
On the other is the law, in the person of Mark Dargus (Michael Bowen) and Ray Nicolette (Michael Keaton). She has to convince the Feds she is complying with the terms of her agreement with them and she has to convince Ordell that she is not scamming him. It's a hell of a balance. Can she do it?
Great music, typically a-bit-too-clever dialogue as one might expect from Tarantino. Tarantino features LA's grittiness in a way that those of us Angelenos who know that the Southland isn't all Beverly Hills and Hollywood really appreciate. The acting is fantastic. You've never seen Robert DeNiro act like this. He's dopey with a lot of repressed anger. DeNiro gets the essence of a conflicted ex-con. Robert Forster is competent and confident. The chemistry he has with Grier is smoldering. Sam Jackson eats up the screen in his scenes. It's like shooting fish in a barrel for him.
Pam Grier is phenomenal as Jackie Brown. You don't know just how honest Jackie is but you have sympathy for her from the get-go. Grier makes her gorgeous, smart, hard-working, sexy, confident, and diligent. It really is a shame that she hasn't had another role even APPROACHING one of this richness. It truly is a great role though and Pam Grier delivers in spades.
7 of 7 people found this review helpful.
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