The middle-aged stewardess Jackie Brown smuggles money from Mexico to Los Angeles for the arms dealer Ordell Robbie. When she gets caught by the agents Ray Nicolet and Mark Dargus with ten thousand dollars and cocaine in her purse, they propose a deal to her to help them to arrest Ordell in exchange of her freedom. Meanwhile Ordell asks the 56-year-old Max Cherry, who runs a bail bond business, to release Jackie Brown with the intention of eliminating her. Jackie suspects of Ordell's intention and plots a complicated confidence game with Max to steal half a million dollars from Ordell.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Pam Grier, Samuel L. Jackson, and Robert De Niro have all co-starred with Sharon Stone. Grier in Above the Law (1988), Jackson in Sphere (1998) and De Niro in Casino (1995). Incidentally, if Above the Law (1988) had its alternate title "Nico", then all three films would be one word titles. See more »
When Sharonda is talking to Jackie in the mall, Jackie's hand enters frame to put out her cigarette. When the camera cuts back to Jackie, she still has it. See more »
Girl at Security Gate:
Flight 710 to Cabo San Lucas, now boarding Gate 103, first class only. Flight 710, Cabo San Lucas, now boarding Gate 103. First class only.
Buenos dias. Welcome aboard. Welcome aboard.
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A copyright notice appears under the title at the beginning of the movie--a common practice for low-budget movies in the 1960s and '70s but very uncommon for 1997. See more »
The following deleted scenes are included on the DVD:
Extended scene with Jackie/Sheronda in the mall's food court.
Extended scene with Jackie and Ray in the diner.
A scene where Louis and Ordell walk into the Cockatoo.
A scene where Jackie is discussing with Max how to set up Ordell.
Contrary to Pulp Fiction which had a very unusual editing and flashy situations, Jackie Brown focuses more on characters that are basically humans with very focused problems, for instance getting older which is an eminent theme tackled in the film. No one's evil in all this. They all have interestingly real personalities and I felt strangely comfortable watching them talk, eat, kill and argue with each other. Tarantino is an excellent storyteller and I wish I could write dialogues as interesting as his. The film flows with a slower pace than Pulp, with all it's many streched takes and lenghty scenes, but by doing so leaves us more time to grasp the characters with all their differences. A more mature Tarantino. Still loving what he does. And he said it himself before the film came out: "This one is at a lower volume then 'Pulp.' It's not an epic, it's not an opera. It's a character study."
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