An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
When a family is held hostage, former hostage negotiator Jeff Talley arrives at the scene. Talley's own family is kidnapped and Talley must decide which is more important: saving a family he doesn't even know or saving his own family.
Serena Scott Thomas
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
In Moscow, the FBI and their Russian counterpart, the MVD, are working on a joint mission to apprehend Russian mobster Ghazzi Murad specifically for the murder of Mayor Nikolai Semankho. During the arrest, they are forced to kill Ghazzi. Ghazzi's brother, Terek Murad, also a mobster, begins his own form of deadly retribution against the MVD for Ghazzi's death. But the FBI and MVD also get wind that Terek has hired an assassin by the code name Jackal to carry out a hit on a high profile but unknown American target for the Americans sticking their nose in Russian affairs. Intelligence points to that target being Donald Brown, the Director of the FBI. The Jackal is known only by name and reputation but no one in authority knows who he is, what he looks like or if he even really exists. They learn of only one person alive who they know has had ties to the Jackal: former Basque separatist Isabella Zanconia, whose whereabouts are unknown. As such, the FBI and MVD decide to turn to the one ...Written by
(at around 18 mins) Postal codes in Montreal start with H, not G as the Jackal states. See more »
[the Jackal has shot Koslova]
Ooh, that's bad. The blood's almost black, that means the bullet's in your liver. You have about 20 minutes to live. If the pain gets to be too much, you can take your hand away. Then you'll be dead in 5 minutes.
When Declan kills you, you think of me, OK.
OK. I'll make a note of that.
[grabs her head]
If you see Declan before you die, you tell him that he can't protect his women.
See more »
The Australian Theatrical version omitted the shot where The Jackal shoots Lamont's arm off in the testing scene, and removed the line in the nightclub scene in the beginning where Terak's brother calls Valentina a "scar-faced c**t". These cuts were made so the movie would achieve an M rating (recommended 15+ years). The full version was released on video with an MA rating (restricted 15+ years). See more »
Written by John Gosling, Cleo Matthews, Matthew Ashman
Performed by Agent Provocateur
Courtesy of Epic Records/Sony Music Entertainment (UK) Ltd.
By Arrangement with Sony Music Licensing See more »
Tense, fast-paced, but sort of ordinary suspense thriller
You can't really approach this as a remake of the classic 'The Day of The Jackal.' Though broadly similar, the entire feel of the two films is incomparable. And suspense thrillers are all about "the feel" aren't they?
The story is pretty standard fair - a super villain assassin (Willis) is going to make a big kill using a huge weapon and leaving a trail of bodies along the way. Gere, an IRA soldier (jailed for "terrorism") is brought on as consultant because he is one of the few people who has seen 'the Jackal", and given a few vague promises in exchange for his help. As it turns out, Gere has more than just knowledge - he has a vendetta. Poitier oversees Gere and the investigation of Willis, and comes to realize that Gere is the only hope of stopping him.
I like Sidney Poitier, Bruce Willis and Richard Gere, so I was predisposed to like this film. I was neither very surprised nor disappointed. The Jackal is entertaining and the performances are strong. Poitier is always a class act, and Willis and Gere have terrific anti-chemistry. There's nothing wrong with the cinematography or directing, and the pace of the film, though a little breathless, is fine. Regardless, the story-line never reached much beyond the ordinary thriller fare. Making a truly great thriller requires either doing something really original (very hard to do) or using a truly inspired script. This film's script is decent, but the story line could have used a little more careful thought and a bit more complexity.
54 of 77 people found this review helpful.
Was this review helpful to you?
| Report this