During the 1973 Thanksgiving weekend, the Hoods are - relationship-wise, skidding out-of-control, isolated from each other; Benjamin reels from drink-to-drink, His wife, Elena's losing patience with Ben's incessant lies. Home for the holidays, their son, Paul, heads into Manhattan,in search of a rich girl from his prep school.Wendy, the teenage daughter, roams the neighborhood, exploring the liquor and lingerie of her friends' parents, looking for something - anything - new. Then, an ice storm hits, and their problems seem inconsequential, and nothing will ever be the same.Written by
Emory Herbertson <firstname.lastname@example.org>
Director Brian De Palma is an admirer of this film. See more »
Although the exterior of the railway cars shows the Penn Central logo, the interior of the car bears the Metropolitan Transit Authority (MTA) logo. See more »
Good morning ladies and gentlemen. This train, originating from New York's Grand Central Station, is back in service. Next stop will be New Canaan, Connecticut. New Canaan, Connecticut next stop.
In issue 141 of the Fantastic Four, published in November, 1973, Reed Richards had to use his anti-matter weapon on his own son, who Aannihilus has turn into the Human Atom Bomb. It was a typical predicament for the Fantastic Four, because they weren't like other superheroes. ...
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Set in upscale, suburban New Canaan, Connecticut in 1973, The Ice Storm (based on a novel by Rick Moody) is a scathing social criticism of the values and ideals of upper-class American society during that time period. With the background for the movie being the Nixon Watergate scandal, the corruption is portrayed as extending all the way into the American Home through a short glimpse into the lives of two families: The Hoods and the Carvers.
Both families have two children (Carvers: two sons, Hoods: one son, one daughter), and appear perfectly normal and supportive at first glance. However, through a series of common experiences, and through the way the families struggle to communicate both within and with one another, it becomes clear there are deeply rooted problems. Director Lee uses the children to exemplify the failures of the parents, and their mistakes reflect heavily and harshly on the adults in their lives. The adults also make their own mistakes, and these are depicted as far worse - for as adults, they should know better. Their struggles in dealing with their children are at times almost comical, and show their lack of proper parenting skills. As a criticism, this structure is flawless, comprehensive, and unrelenting throughout. Except for a few fleeting scenes, the irresponsibility of the adults dominates the screen.
Of course, all these events are building up to a climax of epic proportions. The saying, "a stitch in time saves nine," comes to mind when discussing this movie. Had any of the adults taken the proper steps of good parenting anywhere along the way, the events that unfold would not have occurred. Like the failed parenting of the adults, however, it's too little, too late. Bad parenting, selfishness, lavishness, sexual promiscuity, greed, lack of communication, and foolishness lead these adults to make mistakes within their lives, the lives of their children, and the lives of their friends. And come the closing credits of this incredibly well directed, well acted film, they are the ones left to pick up the pieces.
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