In the weekend after thanksgiving 1973 the Hoods are skidding out of control. Benjamin Hood reels from drink to drink, trying not to think about his trouble at the office. His wife, Elena, is reading self help books and losing patience with her husband's lies. Their son, Paul, home for the holidays, escapes to the city to pursue an alluring rich girl from his prep school. And young, budding nymphomaniac, Wendy Hood roams the neighborhood, innocently exploring liquor cabinets and lingerie drawers of her friends' parents, looking for something new. Then an ice storm hits, the worst in a century. Things get bad...Written by
Emory Herbertson <email@example.com>
At the time the story takes place, the NY MTA had existed since 1967 but the railroad in the film was operated by Penn Central. In 1983 operation was taken over by Metro North Commuter Railroad, in 2016 it is known as simply Metro North Railroad. See more »
When Mikey Carver is serving wine to Ben Hood you see him tip over the wine glass. In the next shot of the table and Ben Hood, there is no wine glass near him and it has mysteriously vanished. Ben Hood is wiping nothing off of him when he should have wine on his pants and the table. In the next shot the glass has suddenly reappeared and Elain Hood is picking it up and wiping the table. See more »
Good morning ladies and gentlemen. This train, originating from New York's Grand Central Station, is back in service. Next stop will be New Canaan, Connecticut. New Canaan, Connecticut next stop.
In issue 141 of the Fantastic Four, published in November, 1973, Reed Richards had to use his anti-matter weapon on his own son, who Aannihilus has turn into the Human Atom Bomb. It was a typical predicament for the Fantastic Four, because they weren't like other superheroes. ...
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I went to see this film with one of my friends, in a cinema I had never been to before. It was one of those rare and delightful experiences where you are the only people in the theatre. No one around to distract you. No kids munching on crisps, or couples quietly muttering sweet nothings, or idiots trying to tell the characters what to do. It was great.
The film was just brilliant. It really nearly broke my heart. Every performance is perfect. The direction by Ang Lee is deliberate and painful as he slices into you with the lives of those he makes you watch. It looks amazing, in a beautifully bleak way. It is also one the most compelling and painful movies that I have ever come across. The family life portrayed is messed up and all the relationships that are displayed are disfunctional on some level or other. But still I was forced to care for them - all of them. Such is the brilliance of the acting and the script writing.
I own this film, but I can't watch it alot. Once a year is just enough. It's to traumatic and beautiful to watch more than that.
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