When "American Psycho" was released early in 2000 it reaffirmed author Bret Easton Ellis as the controversial "bad boy" of contemporary American Fiction. "This is Not an Exit" reveals the world inhabited by Ellis. In HD.
Jake Vig (Burns) is a consummate grifter about to pull his biggest con yet, one set to avenge his friend's murder. But his last scam backfired, leaving him indebted to a mob boss (Hoffman) and his enforcer.
An ex-boxer is drifting around after escaping from the mental hospital. He meets a widow who convinces him to help fix up the neglected estate her ex-husband left. Her Uncle talks them both... See full summary »
Rosie and Vincent know each other for ten years, and are married for five. She doesn't like her job, he isn't too pleased working with her dad. They're trying to have a baby. One morning ... See full summary »
Helen is a young woman running a hairdressing salon; Bob is her boyfriend and local radio DJ; Honda is a mute kid who's secretly taping people's conversation and Smokey is Honda's sister who sings at local bar. New guy in town is the mysterious Martin, who shares some dark history with Helen and observes her from afar at first. Honda falls in love with Helen and starts taping her conversations with Bob, and that leads to reactivation of the Helen-Martin relationship.Written by
Written by Julian Cope
Performed by Julian Cope
Copyright Warner/Chappell Music Limited
Courtesy of Island Records Limited
Licensed by kind permission of the PolyGram Commercial Marketing Division See more »
This movie, first of all, is not for amateur moviefans. The only people who will probably enjoy this movie are the ones who have seen a great many and wide range of films. It is for the open minded and analytical. Why? Because, this movie is virtually left blank for the audience to fill in. The acting is superb, Rachel Weisz and Alessandro Nivola are very talented, and are justly fit for the role. About 70% of the dialogue was improvised, so that should tell you something. Although there are sometimes too many holes in the plot and not enough information given, the movie, i believe, is pulled off wonderfully. It is a very open movie, and there are no reassurances. The audience will probably find themselves playing psychologist to the deep, rich characters that develop as the short movie progresses. The characters and the whole openness of the movie is what appealed to me. I Want You is very underrated, and people should give this movie a second try. Yeah, there is some explicit sex and voyeurism going on, but that is one of the movie's great central themes. The focus is very apparent from the beginning, and the beautiful thing that sets it off is mood. The color tones used, in mellow bluish and yellowish color, the melancholy and often creepy music... and the locale add to it. The movie is almost like The Virgin Suicides in mood, except much, much darker, with a darker, creepier story as well. It seems throughout the entire movie that the characters are sort of lost in this sort of moody limbo that Michael Winterbottom creates... and you get lost as well.
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