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Fireworks

Original title: Hana-bi
  • 19971997
  • 1h 43m
IMDb RATING
7.7/10
30K
YOUR RATING
Fireworks (1997)
  • Crime
  • Drama
  • Romance
Nishi leaves the police in the face of harrowing personal and professional difficulties. Spiraling into depression, he makes questionable decisions.Nishi leaves the police in the face of harrowing personal and professional difficulties. Spiraling into depression, he makes questionable decisions.Nishi leaves the police in the face of harrowing personal and professional difficulties. Spiraling into depression, he makes questionable decisions.
IMDb RATING
7.7/10
30K
YOUR RATING
  • Director
    • Takeshi Kitano
  • Writer
    • Takeshi Kitano
  • Stars
    • Takeshi Kitano
    • Kayoko Kishimoto
    • Ren Ôsugi
Top credits
  • Director
    • Takeshi Kitano
  • Writer
    • Takeshi Kitano
  • Stars
    • Takeshi Kitano
    • Kayoko Kishimoto
    • Ren Ôsugi
  • See production, box office & company info
    • 142User reviews
    • 82Critic reviews
  • See production, box office & company info
  • See more at IMDbPro
    • Awards
      • 23 wins & 24 nominations

    Photos118

    Fireworks (1997)
    Fireworks (1997)
    Fireworks (1997)
    Fireworks (1997)
    Fireworks (1997)
    Fireworks (1997)
    Fireworks (1997)
    Shoko Kitano in Fireworks (1997)
    Takeshi Kitano, Kayoko Kishimoto, and Shoko Kitano in Fireworks (1997)
    Susumu Terajima in Fireworks (1997)
    Susumu Terajima and Tarô Itsumi in Fireworks (1997)
    Kayoko Kishimoto in Fireworks (1997)

    Top cast

    Edit
    Takeshi Kitano
    Takeshi Kitano
    • Yoshitaka Nishias Yoshitaka Nishi
    • (as Beat Takeshi)
    Kayoko Kishimoto
    Kayoko Kishimoto
    • Nishi's wifeas Nishi's wife
    Ren Ôsugi
    Ren Ôsugi
    • Horibeas Horibe
    • (as Ren Osugi)
    Susumu Terajima
    Susumu Terajima
    • Nakamuraas Nakamura
    Tetsu Watanabe
    Tetsu Watanabe
    • The Scrap Yard Owneras The Scrap Yard Owner
    Hakuryû
    Hakuryû
    • The Yakuza Hitmanas The Yakuza Hitman
    Yasuei Yakushiji
    • Criminalas Criminal
    Tarô Itsumi
    • Kudoas Kudo
    Ken'ichi Yajima
    Ken'ichi Yajima
    • Doctoras Doctor
    Makoto Ashikawa
    • Tanakaas Tanaka
    Yûko Daike
    Yûko Daike
    • Tanaka's widowas Tanaka's widow
    Tsumami Edamame
    Tsumami Edamame
    • Businessman Throwing Rocksas Businessman Throwing Rocks
    Yûrei Yanagi
    • Chef #1as Chef #1
    Sujitarô Tamabukuro
    • Chef #2as Chef #2
    Tokio Seki
    • Old Hickas Old Hick
    Motoharu Tamura
    • Chief Detectiveas Chief Detective
    Hitoshi Nishizawa
    • Yakuza Headas Yakuza Head
    Hiromi Kikai
    • Director
      • Takeshi Kitano
    • Writer
      • Takeshi Kitano
    • All cast & crew
    • See more cast details at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The paintings that appear throughout the movie were painted by Takeshi Kitano himself after his near-fatal motorcycle accident in August 1994.
    • Quotes

      Miyuki, Nishi's wife: Thank you - thank you for everything.

    • Connections
      Featured in At the Movies: Wild Things/Niagara, Niagara/Mr. Nice Guy/Wide Awake/Fireworks (1998)

    User reviews142

    Review
    Top review
    Too slow and "deep" at times but mostly emotionally engaging and impacting
    Nishi is a cop who is very good at his job but whose personal life is impacted with loss – a dead child and now a dying wife. When his partner is put in a wheelchair by a criminal and another officer is shot dead, Nishi finds himself plagued by guilt over his part in it all. Blaming himself Nishi tries to do the right thing by his partner Horibe and the widow of cop, while also trying to salvage some happiness in what remains of his time with his wife.

    I came back to Takeshi Kitano about the same time as I left the Movies You Should See podcast. I left it because I don't think it is as good as it could be and at times offers no real insight into a film other than describing "bits" however I give them a mention because they reminded me that I had only ever seen one or two of Kitano's films and that it had been some time since I had even seen those. So it was that after watching Brother, my rental site threw me Hana-Bi and I was looking forward to it due to the praise on this site and indeed the podcast itself. The expectation was not unjustified as Hana-Bi is a film of pain and beauty that is well worth seeing even if it is not the image of perfection that some would have you believe.

    That statement is bound to attract a low vote on IMDb but what can I tell you? That it was slow and quiet is not a problem for me but it is a feeling you get watching the film and it is not helped by some scenes feeling irrelevant within the context of the story. This is not a real killer but I felt that the slow pace needed support and seeing two minor characters argue about a fender bender (for example) saw my interest dip and the slow pace start to be felt. Otherwise though, the silence and pace suits the material and the style of the film. The violence is quite subdued (in regards what you actually see) because it occurs in the edit of the action – so the actual impact is mostly unseen. It doesn't matter though because the main thrust of the film is less the outward violence but the internal suffering of all the characters. The film does wear this aspect a little heavily at times and some will feel that some sequences are right on the edge of being pretentious and there is no point in denying that it does walk this line here and there.

    However for the majority it is a really well observed and emotionally engaging story built on the silent but emotive presence of Kitano as writer, director and star. As writer he has, it could be argued, left a lot to the actual making process itself since the script must have been a few pages. As director he sets the pace and I like the way his static style works within this story but it is his work as actor that always mystifies and impresses me. How he can convey so much while also appearing to be doing nothing at all I'm not sure but it somehow works and fits his style in other disciplines. He is well supported by Kishimoto, with whom he has genuine chemistry without betraying his character's nature. Osugi is not that great and it is with his character that I found the film close to being pretentious, not the actor's fault of course but I never felt for him as I did for Nishi.

    Hana-Bi is very slow and quiet and I can totally understand why some viewers will throw it in very early on. However sticking with it reveals a film that manages to be violent, introspective and emotionally engaging at the same time, all wrapped in the style of Kitano, who is creative across the board.
    helpful•9
    3
    • bob the moo
    • Jul 13, 2008

    Details

    Edit
    • Release date
      • March 20, 1998 (United States)
    • Country of origin
      • Japan
    • Language
      • Japanese
    • Also known as
      • Hana-Bi
    • Filming locations
      • Tokyo, Japan
    • Production companies
      • Bandai Visual Company
      • TV Tokyo
      • Tokyo FM Broadcasting Co.
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $500,000
    • Opening weekend US & Canada
      • $59,508
      • Mar 22, 1998
    • Gross worldwide
      • $500,000
    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • Runtime
      1 hour 43 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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