Fireworks (1997)

Nishi leaves the police in the face of harrowing personal and professional difficulties. Spiraling into depression, he makes questionable decisions.

Director:

Takeshi Kitano

Writer:

Takeshi Kitano

Stars:

Takeshi Kitano, Kayoko Kishimoto, Ren Osugi

22 wins & 19 nominations.

Cast

Cast overview, first billed only:
Takeshi Kitano	...	Yoshitaka Nishi (as Beat Takeshi)
Kayoko Kishimoto	...	Nishi's wife
Ren Osugi	...	Horibe
Susumu Terajima	...	Nakamura
Tetsu Watanabe	...	The Scrap Yard Owner
Hakuryû	...	The Yakuza Hitman
Yasuei Yakushiji	...	Criminal
Tarô Itsumi	...	Kudo
Ken'ichi Yajima	...	Doctor
Makoto Ashikawa	...	Tanaka
Yûko Daike	...	Tanaka's widow
Tsumami Edamame	...	Businessman Throwing Rocks
Yûrei Yanagi	...	Chef #1
Sujitarô Tamabukuro	...	Chef #2
Tokio Seki	...	Old Hick

Storyline

Nishi is a cop whose wife is slowly dying of leukemia. One of his partners gets shot on the job, which results in him being confined to a wheelchair for the rest of his life and becoming suicidal. Nishi, feeling guilty of his partner's accident, tries to help him in any way he can. At the same time, Nishi leaves the police to spend more time with his dying wife. However, in order to do the right things for those he loves, Nishi must do something wrong, which has tragic consequences.

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Plot Keywords:

police | leukemia | cynicism | dying | partner | 

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Genres:

Crime | Drama | Romance | Thriller

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Details

Country:

Japan

Language:

Japanese

Release Date:

20 March 1998 (USA)

Also Known As:

Fireworks

Box Office

Opening Weekend USA:

$59,508, 22 March 1998, Limited Release

Gross USA:

$233,986, 12 April 1998

Company Credits

Production Co:

Bandai Visual Company, TV Tokyo, Tokyo FM Broadcasting Co.

Technical Specs

Runtime:

103 min

Sound Mix:

Dolby Dolby SR

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The man who sold he taxi cab had "Cactus Jack" t-shirt on. Cactus Jack is a professional wrestler known by his real name Mick Foley who wrestled in the 90's as Cactus Jack in International Wrestling Association of Japan.

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Quotes

Miyuki, Nishi's wife: Thank you - thank you for everything.

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Connections

Referenced in Jam session - Kikujiro no natsu koshiki kaizokuban (1999)

User Reviews

Drop Dead.

Hana-bi (AKA: Fireworks) is written and directed by Takeshi Kitano. It stars Kitano, Kayoko Kishimoto, Ren Osugi and Susumu Terajima. Music is by Joe Hisaishi and cinematography by Hideo Yamamoto.

Yoshikata Nishi (Kitano) is a loose cannon police detective who quits the force after a tragic incident results in his partner, Horibe (Osugi), being confined to a wheelchair. His retirement brings him the time to care more for his seriously ill wife Miyuki (Kishimoto). Nishi can find no peace, though, more so as he has borrowed money from the Yakuza to pay for his wife's needs, and they are growing impatient for the repayment...

Very early in Kitano's superb slice of Japanese neo-noir there is a piece of graffiti on the wall, it says "Drop Dead", while Hisaishi's music is a devilish accompaniment to the scene. It's ominous and foreboding, setting the tone for what is to follow. Pic is deliberately paced, beautifully so, with the opening nonlinear approach and scattergun shifts in time adding a sort of psychological maelstrom to the impending narrative darkness.

Yet to suggest it as a perpetually bleak picture is doing it a small disservice, for Kitano (himself working from a damaged psyche that occurred in real life) has this adroit eye for poetic beauty and human tenderness that marries up with bursts of violence and emotionally shattering passages of play. And it works brilliantly, with stabs of humour also filtering in via the outer frames.

Nishi the character is a force of nature and a walking - brooding - contradiction, a man pained behind his sunglasses, his expressionless visage amazingly still saying so much. When he explodes the impact is doubly strong, mainly because dialogue is so sparse, but the interwoven visuals - very much a Kitano speciality - strike an almighty chord for the story. To which we edge towards the finale, which unsurprisingly brings beauty and infinite sadness.

Unfussy camera work, sabre sharp editing (Kitano & Yoshinori Oota), elegiacal musical arrangements, art, kites and Kitano's intense performance, this rounds out as film making greatness. In fact, a masterpiece. 10/10