Gummo (1997)

Lonely residents of a tornado-stricken Ohio town wander the deserted landscape trying to fulfill their boring, nihilistic lives.

Director:

Harmony Korine

Writer:

Harmony Korine

Stars:

Nick Sutton, Jacob Sewell, Lara Tosh

4 wins & 2 nominations.

Cast

Cast overview, first billed only:
Jacob Sewell	...	Bunny Boy
Nick Sutton	...	Tummler
Lara Tosh	...	Girl in Car
Jacob Reynolds	...	Solomon
Darby Dougherty	...	Darby
Chloë Sevigny	...	Dot (as Chloe Sevigny)
Carisa Glucksman	...	Helen
Jason Guzak	...	Skinhead #1
Casey Guzak	...	Skinhead #2
Wendall Carr	...	Huntz
James Lawhorn	...	Cowboy #1
James Glass	...	Cowboy #2
Ellen M. Smith	...	Ellen
Charles Matthew Coatney	...	Eddie
Harmony Korine	...	Boy on Couch

Storyline

Constructing this film through random scenes, director Harmony Korine abruptly jettisoned any sort of narrative plot, so here we go: Solomon and Tummler are two bored teenage boys who live in Xenia, Ohio. A few years ago, a tornado swept through it, destroying more than half the town and killing the same amount, including Solomon's father. The film, from there, chronicles the anti-social adventures these two boys have. These include sniffing glue, killing cats, having sex, riding dirtbikes, listening to black metal, and meeting a cavalcade of quirky, bizarre, and scary people. These include a man who pimps his mentally ill wife to our anti-heroes, three sisters who play with their cat and practice becoming strippers, a black midget fending off the sexual advances of a troubled man (played by the director Harmony Korine), a 12-year-old gay transvestite who is also a cat killer, Solomon's mother who seems to be the only glimpse of sanity, two foul-mouthed six-year olds, and most ...

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Plot Keywords:

sexual abuse | cult film | experimental film | cat killer | violence | 

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Taglines:

Prepare to visit a town you'd never want to call home.

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Genres:

Comedy | Drama

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Motion Picture Rating (MPAA)

Rated R for pervasive depiction of anti-social behavior of juveniles,including violence, substance abuse,sexuality and language

Details

Country:

USA

Language:

English

Release Date:

24 November 1997 (Australia)

Also Known As:

Gummo

Filming Locations:

Tennessee, USA

Box Office

Budget:

$1,300,000 (estimated)

Opening Weekend USA:

$19,820, 19 October 1997, Limited Release

Gross USA:

$19,820, 19 October 1997

Company Credits

Production Co:

Fine Line Features, Independent Pictures (II)

Technical Specs

Runtime:

89 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Tummler is Yiddish for "agitator".

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Goofs

During the arm wrestling scene, the number of bottles on the table changes between shots.

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Quotes

[first lines]
Solomon: [voiceover] Xenia, Ohio. Xenia, Ohio. A few years ago, a tornado hit this place. It killed the people, left and right. Dogs died. Cats died. Houses were split open, and you could see necklaces hanging from branches of trees. People's legs and neck bones were sticking out. Oliver found a leg on his roof. A lot of people's fathers died, and were killed by the great tornado. I saw a girl fly through the sky, and I looked up her skirt. Her skull was smashed. And some kids died. My ...

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Connections

Featured in Belly (1998)

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Soundtracks

Some Grass
Performed by Sleep
Written by Chris Hakius, Matt Pike & Al Cisneros
Courtesy of Earache Records, Inc.

User Reviews

Misunderstood Genius

Gummo is a film of substance, a rare thing in this time of Estee Lauder actresses and pec enhanced tree trunks stumbling around the kindergarten dialogue. Reality TV before it became anachronistic. A film that demands a second viewing to truly understand the director's vision is a rare thing; my initial impression was of a mockery of Red Necked America, but now after several viewings I understand it as a celebration of the sidelined aspect of American culture. Unafraid to pull its punches, unafraid to deal with the shocking, the jarring, the discomforting; it is a film that is mostly about killing cats and sniffing glue. Possibly a freak show, but one done in the style of the old freak shows - the freaks call the shots and they revel in their opportunities. A piece best enjoyed at 5 am on a Sunday morning after burning the midnight oil, when your nerves are raw and you need something with bite to cut through the fog. Nobody has created such vivid set pieces and each time you review the film there is a new mullet to admire, a chair to be beaten, a Down's Syndrome prostitute to mull over. Prepare to be shocked and provoked whilst being entertained; when the film finishes you are compelled to take stock of what you have seen and in my eyes that is what films are for. A hearty thumbs up.