A seasoned FBI agent pursues Frank Abagnale Jr. who, before his 19th birthday, successfully forged millions of dollars' worth of checks while posing as a Pan Am pilot, a doctor, and a legal prosecutor.
A touching tale of a wayward young man who struggles to find his identity, living in a world where he can solve any problem, except the one brewing deep within himself, until one day he meets his soul mate who opens his mind and his heart.Written by
Dima & Danielle
The script was originally developed by Castle Rock, Rob Reiner's production company. When they didn't know what to do with it, Kevin Smith took the script to Miramax. It became the highest grossing film in Miramax history, until Chicago (2002) topped it. See more »
At the end of the movie when Chuckie goes to pick up Will, he's wearing short sleeves and shorts. It's probably August or September and the trees still have their leaves. However, it's cold enough that you can see Chuckie's breath several times. See more »
Mod fx... squared... dx. So please finish Parceval, by next time. I know many of you had this as undergraduates, but it won't hurt to brush up.
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Throughout the end credits, Will's car is driving down the highway until the very end, when the car drives around a bend and disappears. See more »
In the television version, Skylar tells a different joke in the bar scene with Will and his "brothers." Instead of the "kiss me" joke, she tells one about a man who is falling from a cliff. See more »
Sure, this film's plot is fairly predictable. Sure, if you boiled it down to its essential components it wouldn't amount to much. Sure, Will Hunting's genius is profoundly unrealistic.
Yet I'm giving this one 10 out of 10.
I don't know whether Matt and Ben have ever been in therapy, but they certainly understand a lot about the human psyche, how it ducks responsibility, and pushes blame onto others, how it dismisses the real gifts it has and concentrates on running itself down. How many of us suffer from the same problems as Will? Only those who deny their own vulnerability will remain unaffected by this film.
Not only is the script powerful, but the dynamics between the characters - all of them selfish, even Skylar - is vividly and plausibly executed. The film just about manages to avoid easy answers, preferring to acknowledge (indeed, highlight) the complexity and pain of personal growth and self-realisation.
You could read a lot of self-help books, but they won't bring across to you as powerfully as this film what it's like to be scared, what it's like to experience loss, how difficult it is to shake off your old ways of thinking, how important honesty to yourself is. If this is the kind of revelation Matt and Ben are going to come up with, I look forward to their future efforts.
The first time I saw it, I felt moved as the credits rolled. On my way home from the cinema, I felt sombre. When I got home, I finally burst into tears. This film burns slowly, inside you.
As cinema, it's fair to middling. The performances are all first class. The script is a jewel. As wisdom, it's second to none. A fine achievement.
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